Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy classic mystery and suspense
- Readers interested in early American popular literature
- Those who want a leisurely-paced mystery with an emotional thread
- Readers hoping to learn period details such as nurse training through fiction
Not a good fit for
- Readers who prefer hardcore honkaku mystery with tightly plotted tricks
- Readers expecting fast-paced, high-conflict modern suspense
- Readers impatient with slow buildup and emotional description
Reading tips
- Read the first story first, noting how the boarder's identity clues echo the heroine's daily details.
- While reading the second, track changes in the doctor's behavior before and after his amnesia and try to deduce the truth yourself.
- Pause between the two stories and compare how the author handles the themes of secrets and redemption.
Contents
- Copyright information
- CHAPTER I
- CHAPTER II
- CHAPTER III
- CHAPTER IV
- CHAPTER V
- CHAPTER VI
- CHAPTER VII
- CHAPTER VIII
- CHAPTER IX
- CHAPTER X
- CHAPTER XI
- CHAPTER XII
- CHAPTER XIII
- CHAPTER XIV
- CHAPTER XV
- CHAPTER XVI
- CHAPTER XVII
- CHAPTER XVIII
- CHAPTER XIX
- CHAPTER XX
- CHAPTER XXI
- CHAPTER XXII
- CHAPTER XXIII
- CHAPTER XXIV
- CHAPTER XXV
- CHAPTER XXVI
- CHAPTER XXVII
- CHAPTER XXVIII
- CHAPTER XXIX
- CHAPTER XXX
FAQ
How many stories does this book contain?
Is it suitable as an introduction to mystery fiction?
Are the two stories connected?
Comments
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About the author
Mary Roberts Rinehart was an American writer best known for her mystery and detective fiction. Because the available records are limited, her dates of birth and death, nationality, and educational background cannot be confirmed here; the only work currently on record is K, which is classified as inspirational growth. This work suggests that Rinehart was skilled at developing plots within everyday settings and at portraying her characters' growth and choices through clear, fluent narration, offering readers inspiration through accessible reading. Her writing style tends not to rely on exaggerated dramatic conflict but rather to start from ordinary moments, showing how characters change psychologically and improve themselves when facing difficulties. Although public information is limited, her works still attract readers with an approachable touch and hold a place in inspirational growth literature, deserving attention from readers interested in coming-of-age themes.