FF No. 12
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Summary
FF No. 12 (published November 2011, cover-dated January 2012, original English title “Too Many Kids”) picks up directly from the story of Fantastic Four No. 600. When Annihilus attacks the Baxter Building, Valeria and the Future Foundation children teleport away the top three floors of the building; this issue reveals that the three floors did not land on the moon but are half-buried in a snowy mountain — in Latveria, Doctor Doom’s homeland. Inside the fortress, Doctor Doom, his adopted son Kristoff, and Reed Richards and Nathaniel Richards from a parallel universe discover the children and send Doombots to “collect” them. Then the adults hold a private talk full of hidden meanings: the parallel-universe Reed tries to build a bridge across dimensions to return to his own world, while Nathaniel seems to be involved more deeply than appearances suggest in the recent changes in the FF and Fantastic Four worlds. This volume is the twelfth of the series and the starting point for FF continuing as an independent title after Fantastic Four resumed its No. 600 numbering; its main line settles on Valeria and Nathaniel’s long-term plans, the interactions among the children, and the continuation of the event thread “all hope lies with Doctor Doom.”
Editor's review
希克曼笔下的《FF》是2010年代漫威最值得一读的长线布局之一。第12期是一个微妙的转折点:成人英雄退居幕后,一群孩子在雪山与末日机器人之间寻找立足点,瓦莱莉亚冷峻的算计、本特利的顽劣、李奇的沉默,都成为推动剧情的力量。毁灭博士在本期罕见地处于被束缚、被利用的位置,这种反差本身就很有看头。需要提醒的是,本期内页画师换为胡安·博比略,画风偏卡通、对儿童角色的处理与原画师史蒂夫·埃普廷差异明显,读者评价中对此分歧较大;但封面仍由埃普廷绘制。对于追《神奇四侠》第588期以来整条长线的读者,这一期是理解后续“未来基金会”走向不可跳过的一环。
Who it's for
A good fit for
- 追读希克曼《神奇四侠》《FF》长线剧情的读者
- 喜欢未来基金会少年角色群的漫威粉丝
- 对毁灭博士、平行宇宙设定感兴趣的科幻向读者
Not a good fit for
- 只想看神奇四侠四人组传统冒险的读者
- 不接受画风中途大幅变化的读者
Reading tips
- 建议先读《神奇四侠》第588期至第600期及《FF》第1至11期,否则本期人物关系容易看不懂。
- 留意瓦莱莉亚与纳撒尼尔的对话细节,其中埋有多条后续长线的伏笔。
- 阅读中可对照《神奇四侠》第600期的结尾,理解大楼被传送这一事件的前因。
FAQ
这一期和《神奇四侠》第588期是什么关系?
第588期是《神奇四侠》旧连载的最后一期,此后刊物以《FF》名义出到第11期,再恢复为《神奇四侠》第600期;本期《FF》第12期则是第600期之后的直接续篇。
FF 是“神奇四侠”的缩写吗?
在希克曼这一阶段,FF 指 Future Foundation(未来基金会),是约翰尼·斯托姆牺牲后重组而成的组织,神奇四侠只是其中一部分。
本期画师是谁?
内页由胡安·博比略绘制,封面由史蒂夫·埃普廷绘制,画风与此前埃普廷、巴里·基特森的版本差异较大。
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