Capitals
Tags
Summary
Editor's review
Who it's for
A good fit for
- Editors and writers who handle English manuscripts, proofreading or typesetting
- Readers interested in Western orthography and printing conventions
- English majors seeking to understand traditional capitalization rules
- Researchers collecting public-domain material on typesetting and written norms
Not a good fit for
- Readers looking for stories or literary works and plot-driven entertainment
- Beginners with weak English who do not yet need to handle English writing conventions
- Readers expecting full coverage of the latest modern English style standards
Reading tips
- No need to read straight through; check the contents to find the rules you care about and consult as needed.
- Read alongside a modern style manual and note where the book differs from current usage.
- Prepare a sample English text and practise editing it by the book's rules as you read to reinforce them.
- If used for teaching, excerpt typical entries into short exercises for students to discuss.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Frederick W. Hamilton (1860–1) was an author whose writing centered on the conventions of written English and on typography. Public information about him is limited, and his life, nationality, and education cannot be reliably established; eight of his works are held in the collection. Judging from the surviving titles, he focused on the most basic and often overlooked details of writing and printing: the use of capitals, word study and English grammar, the division of words, punctuation, the uses of italic, abbreviations and signs, and compound words, along with Books Before Typography, a work touching on the prehistory of the book. These are for the most part concise, practical handbooks, clearly organized and concrete in their examples, addressed to students, printers, and general readers, and dealing with the fundamentals of English usage and typographic practice. Their subjects are small, yet they form part of the standardization of written language and the making of books, and they can still serve as references for early conventions of English usage and printing practice.