Books Before Typography
Tags
Summary
Editor's review
Who it's for
A good fit for
- General readers interested in book history and the evolution of writing media
- Lower-year students in library science and bibliography
- Middle school history teachers who need introductory material on printing history
- English readers who enjoy free public-domain e-books
Not a good fit for
- Readers hoping for abundant plates and photographs of objects
- Researchers who need in-depth textual criticism and the latest academic debates
- Readers who struggle with English and have no habit of looking up words
Reading tips
- First read the table of contents to grasp the overall thread from clay tablets to codices, then read the chapters in order.
- While reading, compare with images of online museum collections to deepen understanding of book forms.
- Mark technical terms first, then look them up together after finishing a chapter, so as not to interrupt the rhythm.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
FAQ
Which forms of books before the invention of printing does this book discuss?
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About the author
Frederick W. Hamilton (1860–1) was an author whose writing centered on the conventions of written English and on typography. Public information about him is limited, and his life, nationality, and education cannot be reliably established; eight of his works are held in the collection. Judging from the surviving titles, he focused on the most basic and often overlooked details of writing and printing: the use of capitals, word study and English grammar, the division of words, punctuation, the uses of italic, abbreviations and signs, and compound words, along with Books Before Typography, a work touching on the prehistory of the book. These are for the most part concise, practical handbooks, clearly organized and concrete in their examples, addressed to students, printers, and general readers, and dealing with the fundamentals of English usage and typographic practice. Their subjects are small, yet they form part of the standardization of written language and the making of books, and they can still serve as references for early conventions of English usage and printing practice.