Wit Without Money: A Comedy
Tags
Summary
Editor's review
Who it's for
A good fit for
- Researchers and course students of English Renaissance drama
- Readers who want to compare plays by Shakespeare's contemporaries
- Language learners interested in early modern English texts
- Collectors of public-domain English play texts
Not a good fit for
- General readers who only want light modern comedy
- Beginners unfamiliar with early modern English and lacking annotated support
- Readers expecting strong plot and fast-paced narrative
Reading tips
- Read the plot summary and character list first, then enter the dialogue once relationships are clear.
- Consult an annotated edition or introductory materials to ease the barrier of early modern English.
- Read act by act, reviewing character motives and comic conflicts at the end of each act.
- Read alongside contemporary city comedies to observe similarities and differences in subject and technique.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this comedy still funny today?
What level of English is needed to read the original?
Is Fletcher connected to Shakespeare?
Comments
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About the author
John Fletcher (1579–1625) was a playwright of the English Renaissance, and he is the author addressed here. Public information about his life is limited: details of his education, official positions and specific experiences are largely unknown, and his literary standing rests chiefly on plays written in collaboration with Francis Beaumont and others. The collection holds twenty-three related works, mostly in collection form, including several volumes of the ten-volume Beaumont and Fletcher's Works, as well as plays such as The Maids Tragedy, A King, and No King and The Loyal Subject. These works are notable for tragedy and tragicomedy, with tightly constructed plots, witty dialogue and intense personal conflict, making effective use of dramatic tension and stagecraft. His plays hold a place in the seventeenth-century English dramatic tradition and are often named alongside Beaumont, exercising a certain influence on later English drama.