Why We Are at War
Tags
Summary
Editor's review
Who it's for
A good fit for
- Scholarly readers specializing in First World War history and British wartime public opinion
- Communication studies readers interested in propaganda texts and public writing strategies
- Advanced students who need original English-language sources for coursework
- Readers interested in the essayistic style of early twentieth-century academic argumentation
Not a good fit for
- Introductory readers seeking a neutral, comprehensive history of the First World War
- Casual readers who prefer light narrative or story-driven history books
- Those who struggle with English reading and lack background knowledge of the First World War
Reading tips
- Read a modern overview of the causes of the First World War first, then compare it with this book's argumentative framework.
- Mark stance-laden wording as you read, distinguishing factual statements from value judgments.
- Select one chapter for close reading and analyze its organization of evidence and rhetorical techniques.
- After reading, consult later historians' assessments of similar propaganda texts to form a comparison.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
FAQ
Is this book a neutral historical study?
Can I understand it without background knowledge of the First World War?
Is this book suitable as English learning material?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
"University of Oxford. Faculty of Modern History" refers to the Faculty of Modern History at the University of Oxford in the United Kingdom, a teaching and research body that appears as a collective author. The faculty is responsible for teaching and research in the field of modern history at Oxford, and its name typically appears in library catalogues as an institutional author. Public information is currently limited, and only one work by this author is held in the collection, namely Why We Are at War. Judging from the title and the institutional nature of the attribution, the book likely discusses the causes of war and its historical background, displaying the characteristics of academic historical writing and serving the public discussion and historical research of its time. As an institutional author, its editorial direction broadly reflects the orientation of modern history teaching and research. Although the number of works is small, it offers a way to observe how the faculty engaged with particular historical issues and the style of its expression.