What's Wrong with the World
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Summary
Editor's review
Who it's for
A good fit for
- General readers who enjoy essays and satirical style and are willing to think critically
- Those interested in conservative thought and the tradition of social criticism
- Readers of literature and history who want to understand the background of early twentieth-century British social issues
Not a good fit for
- Social science researchers expecting a systematic theoretical framework or empirical data
- Readers unaccustomed to irony and paradox who might misread literal meanings
- Readers looking for directly actionable social reform proposals
Reading tips
- After each chapter, first restate the author's central paradox, then judge whether it holds
- Compare the book's issues with current debates and note which arguments still feel relevant
- No need to read in order; select chapters by theme such as family, education, or women
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Gilbert Keith Chesterton (1874–1936) was an English writer known for his essays, fiction and poetry. The collection here holds 44 of his works across several genres: Orthodoxy defends Christian belief through witty argument, while The Man Who Was Thursday: A Nightmare uses absurd plots to explore order and freedom; The Napoleon of Notting Hill and the Father Brown detective stories display his narrative gifts. There are also essay collections such as What I Saw in America and Appreciations and Criticisms of the Works of Charles Dickens, as well as poems including The Ballad of the White Horse. His style favors paradox, humour and vivid imagery, often drawing reflections on modern society from everyday subjects, and he has influenced later detective fiction and Christian apologetics. Public sources are limited, so biographical details are not pursued here.