Webster & Tourneur
Tags
Summary
Editor's review
Who it's for
A good fit for
- Researchers and students taking courses in English Renaissance drama
- Deep literary readers interested in the revenge tragedy genre
- Theater practitioners needing public-domain English play texts
- Readers able to handle the difficulty of early modern English
Not a good fit for
- Readers new to English classical drama who need notes and introductions
- Readers sensitive to violence and revenge themes
- General readers seeking light entertainment
Reading tips
- First read a chapter on Jacobean tragedy in a literary history to establish the period and genre background.
- Read one play closely and skim the other, so the two don't blur your sense of the characters.
- Jot down relationships and revenge motives as you read; these plays have dense plotlines, so sort them out before going on.
- Use a reliable annotated edition or introductory material alongside, to make up for the lack of notes in the Project Gutenberg edition.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
John Webster (1580?–1632?) was an English dramatist, born in London around 1580 and died around 1632. Public information about his life is limited, and many details of his career remain uncertain, so later readers have chiefly come to know him through his works. He is known for the tragedies The White Devil and The Duchess of Malfi, which are regarded as the finest English tragedies of the seventeenth century apart from Shakespeare. Their subjects often involve court intrigue, desire, and death, and their style is dark and grave, with language rich in imagery and tension. He also co-wrote several plays with Thomas Dekker and others, and a collection titled Webster & Tourneur has come down to us.