We Didn't Do Anything Wrong, Hardly
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Editor's review
Who it's for
A good fit for
- English learners who want to practice reading with short original English texts
- Readers interested in twentieth-century American popular literature
- People who need light reading for commutes or fragmented time
- Enthusiasts studying Project Gutenberg electronic texts
Not a good fit for
- Readers expecting long, complete narratives with complex character arcs
- Readers unaccustomed to English originals who need Chinese translation notes
- Researchers hoping for in-depth contemporary literary criticism
Reading tips
- Read through once to grasp the plot, then revisit the dialogue sections to sort out the relationships between characters
- Guess unfamiliar words from context first, and look them up together after finishing a passage
- Check the Project Gutenberg page information and note the text's original layout and wording
- After reading, write a summary in three to five sentences to test your understanding
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Roger Kuykendall is an author about whom little public information is available. Two of his works are currently held in the collection: All Day September and We Didn't Do Anything Wrong, Hardly. Because his dates of birth and death, nationality, and professional career cannot be confirmed, this note can only sketch his writing on the basis of these titles. Judging from the two works and the way they are collected, his writing seems to center on everyday situations and the choices of ordinary people, and the titles carry a distinctly colloquial and ironic tone—most notably the almost self-exculpatory negative phrasing of We Didn't Do Anything Wrong, Hardly, which suggests narratives concerned with blurred moral boundaries and the shifting of responsibility. Overall, Kuykendall's profile still awaits further material; readers may approach his work as a way of observing how ordinary people face misdeeds and consequences in the course of ordinary days.