Vignettes in Verse
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy short poems and imagistic vignettes
- Those who want to learn about nineteenth-century English women's writing
- Self-learners who need introductory English poetry material
- Readers doing poetry translation practice or appreciation
Not a good fit for
- Readers expecting long narrative poems
- Readers who prefer modern free-verse style
- Those not interested in the rhythms of classical English poetry
Reading tips
- Read two or three poems a day, leaving time to savor the imagery and rhythm.
- Try reading aloud to feel the meter and pauses of the verse.
- After reading, retell each vignette's scene in your own words to check your understanding.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Mary Matilda Betham (1776–1852), known in library catalogues as Betham, Matilda, was an English poet, writer and miniature portrait painter. Born in Suffolk, she was largely self-taught. She published her first collection of poems in 1797 and A Biographical Dictionary of the Celebrated Women of Every Age and Country in 1804; her narrative poem The Lay of Marie (1816) was widely praised. Her other works include Vignettes in Verse and Elegies and Other Small Poems, and four of her works are held in this collection. Her writing spans poetry and biography, with a narrative and lyrical style often drawing on history and women's lives. She was closely acquainted with Coleridge, Southey and the Lamb family. She fell into poverty in later life and died in London in 1852. Public information is limited, and details of her life and the classification of her works await further verification.