The White House cover

The White House

Rating 3.0
Word count
833K words
Chapters
84

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.The White House (Novels of Paul de Kock Volume XII) by Paul de KockAuthor: Kock, Paul de, 1793-1871,Language: English, Class: PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese, Release Date: Sep 8, 2012

Editor's review

This is one volume of the English translation of works by the French popular novelist Paul de Kock, a public-domain text reproduced by Project Gutenberg. In the nineteenth century Kock was known for brisk, street-level narratives of Parisian life; this volume continues the serial-style structure of his multi-volume novels, with dense character relationships and everyday scenes, reading more like a comedy of manners than serious literature. Its value lies in offering a sample of the English reception of nineteenth-century French popular fiction: readers can observe how the translator handles colloquial speech, slang, and details of city life, and can also see how popular reading of the time poked fun at marriage, class, and money. One should not expect profound psychological analysis or tightly plotted structure; it is better treated as material for understanding nineteenth-century bourgeois reading tastes. Note that many of the jokes and characterizations carry the gender and class prejudices of their time; today's readers should keep a critical distance and discern the social imagination rather than accepting it wholesale.

Who it's for

A good fit for

  • Readers interested in 19th-century French popular fiction and comedy of manners
  • Scholars studying English translations of French literature and translation history
  • English-language readers who enjoy lively narratives and crowd scenes of urban life
  • Course users who need public-domain texts for stylistic or translation analysis

Not a good fit for

  • Readers who prefer serious literary depth and tightly structured plots
  • People sensitive to old-fashioned gender and class jokes and unwilling to examine them
  • Beginners seeking a systematic introduction to the author's life and works

Reading tips

  1. Read the first few chapters to sort out the characters, then proceed chapter by chapter without rushing.
  2. Notice how the translator handles colloquial speech and slang, and take brief comparative notes.
  3. Understand character conflicts in the context of 19th-century Parisian bourgeois life rather than applying modern standards.
  4. If it feels dull, switch to reading dialogue-heavy passages to feel the comic rhythm.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84

FAQ

Is this book one of Kock's representative works?
The materials only identify it as one volume in the English-translation series of Kock's novels and do not state its place in the author's oeuvre. Readers should not assume it is a masterpiece or the best introduction; it is better read as one volume of popular narrative in that series.
How difficult is the English? Do I need French?
The text is an English translation, so no French is required; however, 19th-century English translations tend to have long sentences and many colloquial and slang expressions, so non-native readers may need to slow down and can skip cultural allusions at first.
Why is it described as closer to a comedy of manners?
Kock's popular novels often drive plot through the everyday entanglements, marriage, and money matters of Parisian townspeople, with typified characters and lively dialogue and more social custom than psychological depth, so the reading experience resembles a comedy of manners rather than a serious social novel.

Comments

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About the author

Paul de Kock (1793–1871) was a French writer whose biography and education are poorly documented in public sources; the library holds no confirmed details of his nationality or dates beyond his name. The Chinese book site currently lists twenty-one of his works, including The Milkmaid of Montfermeil, Monsieur Cherami, Jean, The Bath Keepers; or, Paris in Those Days, The White House, My Neighbor Raymond, Paul and His Dog, and Madeleine. His writing draws on everyday life in nineteenth-century French towns and countryside, with brisk plots, vivid characters, a humorous tone and a touch of social satire, often centering on the fortunes and feelings of ordinary people. The library classifies his works under inspirational growth, reflecting how Chinese readers tend to receive them through the lens of personal destiny and life experience.