The Tapestry Book
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in tapestries, textile art, and decorative history
- General readers seeking to improve their appreciation of home soft furnishings
- Enthusiasts wanting basic knowledge before visiting museums or antique shops
- Art students with reasonable English reading ability
Not a good fit for
- Professionals needing the latest market prices and contemporary craft data
- Readers expecting extensive high-resolution plate comparisons
- Readers who only want light fiction and have no interest in art history
Reading tips
- Read the overview chapters first to build a framework, then read the style chapters in detail.
- Compare with images of museum collections while reading to deepen understanding of patterns and techniques.
- Compile the book's appreciation points into a checklist and compare them item by item when visiting exhibitions.
- Mark outdated price and market descriptions and check newer sources separately.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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Comments
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About the author
Helen Churchill Candee (1861–1949) was an American writer and art historian. Her writings deal with the decorative arts and the history of furniture. In The Tapestry Book she traces the origins and development of tapestry craft and sets out the key points of connoisseurship, while Jacobean Furniture and English Styles in Oak and Walnut focuses on the evolution of Jacobean and English oak and walnut furniture, showing her close attention to materials, patterns, and the tastes of each period. She survived the sinking of the Titanic, an experience often mentioned alongside her scholarly writing. Public information about her early education, professional career, and social activities is limited. Two of her works are held in this collection, offering readers two lines of entry into her research: craft and furniture.