The School for Scandal
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in British comedy and dramatic literature
- Students and teachers studying eighteenth-century English literature
- Readers who enjoy verbal wit and satire
- Theater enthusiasts who need the original English play text
Not a good fit for
- Readers unaccustomed to play format and stage directions
- Readers expecting the continuous narrative of a novel
- Beginners with little experience reading English dialogue
Reading tips
- First make a character relationship chart, then enter the dialogue, to avoid confusion from the large cast.
- Read act by act, and after each act review the main conflicts and misunderstandings.
- Try reading aloud in roles to appreciate the rhythm and satire in Sheridan's dialogue.
- Watch how gossip is manufactured and circulated, and treat it as a thread running through the play.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Richard Brinsley Sheridan (1751–1816) was an Irish-born playwright, orator and Whig politician, born in Dublin. His masterpiece The School for Scandal (1777) is regarded as one of the finest comedies of manners in the English language. He also wrote The Rivals, The Critic, St. Patrick's Day and The Duenna, and long managed the Theatre Royal, Drury Lane. Six of his works are held here, including comedies, an opera and a one-act farce; they centre on gossip, marriage and witty dialogue among the upper classes, with playful language and ingenious plots that have deeply influenced later English comedy. Public information on his life is limited, so this note relies only on the facts held here.