The Russian Opera
Tags
Summary
Editor's review
Who it's for
A good fit for
- General enthusiasts interested in Russian opera and music history
- Beginner listeners preparing to attend or listen to Russian opera
- Student readers in need of an English-language music history overview
- Cultural readers wishing to understand Russian stage art traditions
Not a good fit for
- Researchers requiring in-depth score analysis and professional musicological argumentation
- Composition students expecting systematic instruction in compositional technique
- Casual readers interested only in contemporary popular music
Reading tips
- Read the table of contents first to understand the author's thematic division, then choose chapters of interest.
- For each opera discussed, listen to its overture or a famous excerpt to deepen the impression.
- Read the introductory chapters first to establish the overall context of Russian opera, then move on to specific works.
- Keep brief notes on work titles and composers for later verification and further reading.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
FAQ
Is this book suitable for readers with no opera background at all?
Does the book include scores or detailed musical analysis?
What level of English is needed to read the original English edition?
Comments
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About the author
Rosa Newmarch (1857-1940) was a British writer on music, known chiefly for her work on Russian music. One work by her is held in this collection, The Russian Opera. The book traces the development of Russian opera, discusses the place of the genre within Russian musical culture, and deals with related composers and works. Newmarch's writing is chiefly systematic introduction for English-speaking readers, emphasising the ordering of historical facts and commentary on works, in a clear and plain style with little showy analysis. Such books were rare in early twentieth-century Britain, and this one offered the English-speaking world a relatively reliable introductory account of Russian opera, reflecting her long-standing scholarly interest in Eastern European and Russian music. Owing to limited sources, details of her life such as education and appointments are not well documented publicly and are not inferred here.
