The Rivals: A Comedy
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy classic English comedy and witty dialogue
- Students studying English literature or dramatic texts
- Enthusiasts of the eighteenth-century English stage comedy tradition
Not a good fit for
- Readers who prefer serious tragedy or heavy themes
- Readers unaccustomed to script format who read only novels
- Beginners whose English reading skills are not yet up to irony and puns
Reading tips
- Read the list of characters first and clarify relationships before entering the dialogue.
- Try reading several scenes aloud to feel the comic rhythm and tone.
- After finishing, revisit the key misunderstanding scenes and trace how the plot is driven forward.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Richard Brinsley Sheridan (1751–1816) was an Irish-born playwright, orator and Whig politician, born in Dublin. His masterpiece The School for Scandal (1777) is regarded as one of the finest comedies of manners in the English language. He also wrote The Rivals, The Critic, St. Patrick's Day and The Duenna, and long managed the Theatre Royal, Drury Lane. Six of his works are held here, including comedies, an opera and a one-act farce; they centre on gossip, marriage and witty dialogue among the upper classes, with playful language and ingenious plots that have deeply influenced later English comedy. Public information on his life is limited, so this note relies only on the facts held here.