The Religious Sentiment
Tags
Summary
Editor's review
Who it's for
A good fit for
- Students of religious studies, psychology, or anthropology who need to understand early research perspectives
- General readers interested in religious emotion and religious psychology
- Readers studying the intellectual history of the late nineteenth century, who may use it as historical source material
- Readers who enjoy short academic essays and are willing to read slowly and take notes
Not a good fit for
- Readers hoping to obtain the latest conclusions of contemporary religious psychology
- Leisure readers who prefer literary narrative or plot-driven content
- Beginners lacking patience for abstract speculation and theoretical discussion
Reading tips
- First read the table of contents and introduction to grasp the book's framework, then read each chapter closely and make summaries.
- While reading, compare with contemporary research in religious psychology and mark the views in the book that are limited by their era.
- Read alongside a general history of religious studies to supplement background knowledge.
- After each chapter, write a brief commentary recording your own questions and judgments.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
FAQ
Is this book suitable for readers without a foundation in religious studies?
Do the views in the book still hold today?
What should be noted when reading the electronic edition?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Daniel G. Brinton (1837–1899) was an American scholar of the languages and cultures of the Indigenous peoples of the Americas. The library holds 24 of his works, covering linguistics, mythology, and the decipherment of ancient scripts. His representative works include The Myths of the New World, a survey of New World mythologies; A Primer of Mayan Hieroglyphics and The Ancient Phonetic Alphabet of Yucatan, which examine Maya writing and Yucatec phonetic signs; and Ancient Nahuatl Poetry, a collection and translation of ancient Mexican Nahuatl poems. He also wrote The Lenâpé and Their Legends and The Books of Chilan Balam, dealing with Delaware traditions and Maya documents. Grounded in primary sources, his writing emphasizes the organization and comparison of linguistic materials, offering useful texts and descriptions for early research on the Indigenous Americas.