The Pianoforte Sonata cover

The Pianoforte Sonata

Rating 3.7
Word count
331K words
Chapters
34

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.The Pianoforte Sonata by J. S. ShedlockAuthor: Shedlock, J. S. (John South), 1843-1919,Language: English, Class: ML: Music: Literature of music, Release Date: Nov 16, 2005

Editor's review

The Pianoforte Sonata is a monograph on the piano sonata by the British music writer John South Shedlock, released by Project Gutenberg as a public-domain English e-book. A work of music literature, it traces the development of the sonata as a genre, covering the compositional practice and formal evolution of composers across different periods. For readers studying music history, piano performance, or composition, the value of such a work lies in its genre-historical perspective, helping them understand how sonata form gradually took shape in keyboard music. Shedlock's writing leans toward scholarly survey; the language is plain, making it suitable as a topical reference rather than a book to read straight through. Readers are advised to consult scores or recordings of specific works alongside the text, grounding its arguments in listening and score-reading experience for better results. As an early musicological work, some of its views carry the limitations of their time; readers should treat them as reference and cross-check them against more recent music-history sources.

Who it's for

A good fit for

  • Music majors who need to understand the development of the piano sonata genre
  • Piano learners seeking supplementary knowledge of form and work background
  • Music-history enthusiasts interested in keyboard-music literature
  • Readers who need English-language music literature for topical reference

Not a good fit for

  • Readers with no knowledge of staff notation or basic music theory
  • Readers expecting a light, essay-style book on music appreciation
  • Researchers seeking only the latest scholarly views

Reading tips

  1. Read the table of contents first, then focus on chapters about composers or periods you know well
  2. Consult scores or recordings while reading to turn the text's arguments into listening experience
  3. Use the book as a topical reference; no need to read every page from start to finish
  4. When encountering early scholarly views, cross-check them against more recent music-history works

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34

FAQ

What music background is needed to read this book?
The book discusses sonata form and specific works, requiring basic music theory and the ability to read scores. Readers with no music background will find it difficult; supplementing basic theory first is recommended.
Is this a score or a text?
This is text-based music literature discussing the piano sonata genre and its development, not a score collection. It is best read with scores or recordings of the relevant works at hand for reference.
Are the book's views still accurate today?
The author was a music writer of the late nineteenth and early twentieth centuries, and the book reflects the scholarship of its time; some content may have been revised by later research. Treat it as reference and cross-check it against more recent music-history sources.

Comments

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About the author

Shedlock, J. S. (John South), 1843-1919 Author · English · 1843–1919

John South Shedlock (1843–1919) was a British piano teacher and music writer. He worked for many years as a piano teacher while also writing to organize and communicate musical knowledge. His representative work, The Pianoforte Sonata, discusses this genre and reflects an approach grounded in teaching practice and focused on specific works. One of his works is held in this collection. Public information about his life and the full range of his writing is limited, so further detail cannot be given here; based on the work available, however, his writing serves both teaching needs and the study of works, and may be used as an introductory reference for understanding the piano sonata.