The One Moss-Rose
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who prefer short allegorical stories
- Self-learners who want to practice plain English narrative
- Researchers interested in nineteenth-century moral literature for children
- Parents looking for short bedtime reading material
Not a good fit for
- Readers seeking intense conflict and plot twists
- Readers with little interest in moralizing narration
Reading tips
- Read it in one sitting; it is short, and reading it straight through makes the point of the allegory clearer.
- After reading, reflect on the correspondence between the flower and the people in the story, and write down your own understanding.
- If using it for English study, pick out the sentences describing plants and scenes and read them aloud repeatedly.
- When reading together with children, discuss: why tell this story through a flower?
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this story written for children or for adults?
What role does the moss-rose in the title play in the story?
How difficult is the English, and how much vocabulary is needed?
Comments
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About the author
Philip Bennett Power (1822–1899) was a nineteenth-century clergyman and devotional writer. Public information about his life is limited: his nationality, education, and specific pastoral appointments are not clearly recorded. Judging from his surviving works, he devoted himself to religious writing over many years. His representative work, The One Moss-Rose, along with devotional readings such as meditations on the Psalms, suggests that his writing was aimed at ordinary believers in their daily life of faith. Such works typically take a scriptural passage as their starting point and combine meditation with exhortation in plain, heartfelt language, emphasizing inward piety and practical application rather than theological debate. Within the nineteenth-century English-language devotional publishing tradition, books of this kind were often used by families and churches for personal devotion and the nurture of faith, and his writings belong broadly to that current. Given the scarcity of sources, the reach of his influence cannot be precisely determined; what can be confirmed is that he left a small body of devotional works as a clergyman.