The Middle-Class Gentleman
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in French classical comedy and Molière
- Learners who hope to encounter dramatic classics through light English reading
- Reflective readers concerned with class, vanity, and identity
- English teachers and drama club members in need of short material
Not a good fit for
- Readers seeking Molière in the original French
- Readers who prefer modern narrative pacing and complex plots
- Readers unaccustomed to drama and dialogue-based texts
Reading tips
- Begin with the plot summary and character relationships, then read the full text to lower the threshold of reading English drama.
- Try reading key argument scenes aloud by role to feel the stage rhythm of Molière's comedy.
- After reading, write a short commentary connecting it to phenomena such as "personal image" and "refined living" to deepen understanding.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
Is this book the original French or an English translation?
Can I understand it without experience reading drama?
What does this work mainly satirize?
Comments
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About the author
Molière (1622-1673), born Jean-Baptiste Poquelin, was a leading figure of French classical comedy and worked in the seventeenth-century French theatre as both actor and playwright. The library holds 41 of his works, including such representative plays as Tartuffe, The Miser, and Don Juan, ou le Festin de pierre, as well as multi-volume editions of his complete works. Drawing on everyday life, his comedies expose hypocrisy, greed, and vanity with exaggerated yet incisive satire; his characters are vividly drawn and his dialogue witty and lively, conveying criticism of social ills through laughter. Public information on his early life and education is limited, so no speculation is offered here. His plays have had a profound influence on French and European theatre history and are still frequently staged today.