The Maids Tragedy
Tags
Summary
Editor's review
Who it's for
A good fit for
- Researchers and graduate students in English Renaissance drama
- English literature students who need the original English text for course reading
- Seasoned theatre readers interested in Shakespeare's contemporary dramatists
- Collectors of public-domain English drama e-texts
Not a good fit for
- General literary readers hoping for a Chinese translation
- Beginners without experience of reading early modern English
- Classroom users who need detailed annotation and introductions
Reading tips
- Begin with some background on the plays Beaumont and Fletcher wrote together before turning to the text.
- Use a plot summary to keep track of the characters' relationships as you read, so that linguistic differences do not make you lose the thread.
- Read alongside a history of English drama or relevant critical essays.
- Take notes on the characters and key scenes so that you can return to analyse the play's structure.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
John Fletcher (1579–1625) was a playwright of the English Renaissance, and he is the author addressed here. Public information about his life is limited: details of his education, official positions and specific experiences are largely unknown, and his literary standing rests chiefly on plays written in collaboration with Francis Beaumont and others. The collection holds twenty-three related works, mostly in collection form, including several volumes of the ten-volume Beaumont and Fletcher's Works, as well as plays such as The Maids Tragedy, A King, and No King and The Loyal Subject. These works are notable for tragedy and tragicomedy, with tightly constructed plots, witty dialogue and intense personal conflict, making effective use of dramatic tension and stagecraft. His plays hold a place in the seventeenth-century English dramatic tradition and are often named alongside Beaumont, exercising a certain influence on later English drama.