The First Afghan War cover

The First Afghan War

Rating 3.3
Word count
134K words
Chapters
14

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.The First Afghan War by Mowbray MorrisAuthor: Morris, Mowbray, 1847-1911,Language: English, Class: DS: History: General and Eastern Hemisphere: Asia, Release Date: Oct 6, 2015

Editor's review

This book is Mowbray Morris's historical narrative of the First Anglo-Afghan War (1839–1842), a product of the early tradition of British military history writing, concise in length and clear in outline, suitable as an introductory work on the subject. Its value lies in setting out, in a relatively short space, the political background of the war, the main battles, and the ins and outs of the disastrous retreat; the prose carries the narrative rhythm and biases of late nineteenth-century historical writing, allowing readers to observe how a costly colonial war was told from an imperial perspective. As a public-domain e-book from Project Gutenberg, it is easily accessible and convenient for consultation at any time and for reading alongside maps. It should be noted that the book's views carry the limitations of their era, with relatively brief treatment of the Afghan side, and it should not be used as the sole reference. It is suitable for reading alongside more recent scholarship, to establish a chronological framework and to understand how British society viewed this war at the time, and also for casual reading by those interested in the history of colonial warfare, military history, and nineteenth-century British writing.

Who it's for

A good fit for

  • Introductory readers with little knowledge of the First Anglo-Afghan War who wish first to establish a chronological framework
  • History enthusiasts studying nineteenth-century British colonial warfare and imperial narratives
  • Students who need public-domain English historical sources for comparative reading or course preparation
  • General readers who enjoy traditional military history narrative and can accept an old-fashioned style

Not a good fit for

  • Readers seeking Afghan indigenous perspectives and the latest scholarly conclusions
  • Researchers who need detailed footnotes, archival research, and map appendices
  • Readers who struggle with English and rely on Chinese translations

Reading tips

  1. Read the introduction and the ending first to grasp the causes of the war and the outcome of the retreat, then go back to the middle chapters on the campaigns
  2. Read alongside a topographic map of Afghanistan to clarify the geographical relations among the Khyber Pass, Kabul, and Kandahar
  3. Note the tendentious wording in the book and compare it with recent scholarship to identify the narrative strategies of the imperial perspective
  4. The book is not long; read it in two or three sittings, writing a three-to-five-line timeline summary after each

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14

FAQ

Is this book suitable for readers with no background at all?
Yes. The book is not long and sets out in chronological order the causes of the war, the main campaigns, and the outcome of the retreat, so introductory readers can establish a basic framework from it. However, its treatment of persons and background is brief; when names of people and places recur frequently, it is advisable to take simple notes and consult maps and encyclopedia entries, which will make the reading much smoother.
Does the book's historical view carry the limitations of its era?
Yes. The author was a late nineteenth-century British writer, and the narrative carries a clear imperial perspective, with limited attention to the Afghan side and evaluations shaped by the public opinion of the time. Readers should treat it as a historical source and a narrative sample rather than a definitive account, and ideally read it alongside recent scholarship, taking care to distinguish factual statements from value judgments.
Is this the Chinese or the English edition? How demanding is the reading?
This is a public-domain English e-book released by Project Gutenberg, in English. The style belongs to late nineteenth-century historical writing; the sentences are long but not abstruse, and readers with university-level English reading ability can manage it. If the main purpose is to learn the historical facts rather than to study the language, one may first read relevant Chinese works and then return to the original for comparison.

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About the author

Mowbray Morris (1847–1911) was a British writer of history active in the nineteenth and early twentieth centuries. Public information about his life is limited, and details such as his exact dates and nationality are not fully recorded in the available sources. Three works are attributed to him: Montrose, The First Afghan War and Claverhouse. Their subjects centre on British and imperial military history, dealing with Scottish historical figures and the First Anglo-Afghan War. These works suggest that he preferred to build his narratives around specific individuals and campaigns, emphasising the arrangement of historical facts and the tracing of events, in a documentary style characteristic of Victorian historical writing. His books offer accessible accounts that remain useful to later readers interested in these events and figures, and they hold a place within English historical writing on similar subjects.