The Devil is an Ass
Tags
Summary
Editor's review
Who it's for
A good fit for
- Students of English literature and researchers of Renaissance drama
- Theater enthusiasts interested in city comedy and satire
- Course learners who need to read seventeenth-century English plays
Not a good fit for
- General readers looking only for light modern fiction
- Readers impatient with early modern English spelling and syntax
- Those expecting strong plot suspense rather than dialogue-driven comedy
Reading tips
- Read the plot summary and character list first to clarify the con threads before entering the dialogue, reducing confusion
- Read act by act, reviewing after each who deceived whom and how interests shifted, to maintain structural awareness
- Read key dialogue aloud or compare with staged excerpts to grasp Jonson's pace and satirical tone
- Pair with a brief introduction to seventeenth-century London society to understand the satirical target of greed and status anxiety
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Ben Jonson (1573?–1637) was an English playwright, poet, and actor of the Renaissance, born in London. In 1616 he published a collected edition of his plays on his own initiative, and in 1619 he was named Poet Laureate. He is best known for his satirical comedies, including Volpone Or, The Fox, The Alchemist, Epicoene Or, The Silent Woman, Bartholomew Fair: A Comedy, The Devil is an Ass, and Every Man in His Humour, as well as Discoveries Made Upon Men and Matter and Some Poems. Drawing largely on urban life, these works are marked by a cool, witty tone and sharp commentary on human weakness and social manners, and they exerted a lasting influence on seventeenth-century English drama. Twelve of his works are held in this collection; further biographical details are limited in publicly available sources.