The Busie Body cover

The Busie Body

Rating 3.3
Word count
145K words
Chapters
15

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.The Busie Body by Susanna CentlivreAuthor: Centlivre, Susanna, 1667?-1723,Language: English, Class: PR: Language and Literatures: English literature, Release Date: Sep 24, 2005

Editor's review

The Busie Body is a representative comedy by Susanna Centlivre written in the early 18th century, belonging to the tradition of Restoration comedy of manners. The plot revolves around the maneuvering among guardians, wards, and clever servants, driven by misunderstanding, disguise, and gaps in information, with a brisk pace and witty dialogue. Its value lies in showing how 18th-century English comedy targeted the "busy idler" as an object of satire, turning the marriage property system and the social rules between men and women of the time into humor, while retaining the physical action and ensemble scenes required for stage performance. When reading, pay attention to how the female characters strive for agency within the restricted framework of marriage and courtship, and how the servant class becomes the engine of the plot through cunning. This edition is a public-domain English ebook from Project Gutenberg, suitable as supplementary reading for courses on British drama history and 18th-century literature, and also suitable for readers interested in the language of Restoration comedy who wish to do close reading of the original text. Because the work dates from an early period, some slang and historical background require annotation; it is recommended to read alongside an introduction or with reference to comedies of the same period.

Who it's for

A good fit for

  • Students of English literature needing sample texts of 18th-century comedy
  • Theater researchers interested in the structure of Restoration comedy of manners
  • Advanced English readers who want to practice early modern English through plays
  • Readers with a literary interest in marriage property and gender issues

Not a good fit for

  • General readers who need a modern Chinese translation for easy reading
  • Readers who prefer serious historical narrative over fictional plays
  • Beginners lacking patience with early modern English dialogue

Reading tips

  1. Read the dramatis personae and scene descriptions first, clarify the guardianship relationships, then enter the dialogue
  2. Read act by act, and after each act retell the main misunderstandings and information gaps
  3. Mark lines involving marriage contracts, property, and inheritance, and focus on understanding the institutional background
  4. Pair with an overview article on Restoration comedy to lower the barrier of historical context

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15

FAQ

Is this play suitable for English beginners to read directly?
Not very suitable. The play uses early 18th-century English expression, including period slang, elliptical sentences, and stage directions; beginners can easily get stuck on the logic of dialogue and the points of satire. It is recommended for readers with upper-intermediate to advanced English reading ability, or to first use an introduction, character relationship chart, and background notes before entering the original text.
Do I need to understand British Restoration history before reading this play?
Systematic study is not necessary, but understanding the basic background will noticeably improve comprehension. The play's humor is closely related to the marriage property arrangements, guardianship system, and social norms between men and women of the time. It is recommended to at least look up common conventions of Restoration comedy, such as the clever servant, disguised identity, and property marriage, so that the objects of satire are easier to grasp while reading.
Is the Gutenberg edition suitable for academic citation?
The Gutenberg edition can serve as a public-domain English text for reading and teaching support, but academic citation should verify page numbers and textual variants against authoritative critical editions or editions from academic presses. If used for a paper, it is recommended to use the Gutenberg edition as a reading base text, then check wording against a reliable edition, and cite the specific edition source.

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About the author

Susanna Centlivre Author · English · 1667–1723

Susanna Centlivre (c. 1667–1723) was an English playwright and actress, and one of the most celebrated women dramatists in early eighteenth-century England. She was born in Lincolnshire (though some sources say Ireland) and in 1707 married Joseph Centlivre, cook to Queen Anne. Public records on her early life are limited, and later accounts differ considerably. She was known for witty, lively comedies: The Busy Body turns on love and scheming, with playful dialogue and a tightly knit plot, while the tragedy The Perjured Husband, or The Adventures of Venice and the comedy The Stolen Heiress, or The Salamanca Doctor Outplotted also appear in library records. Her plays held the London stage for more than a century and a half, leaving a lasting mark on the English comic tradition.