Tell England
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in English-language novels about World War I
- Readers who wish to read public-domain English literature for free
- Students or self-learners practicing long-form English reading
- Readers studying early twentieth-century British literature and war narrative
Not a good fit for
- Readers seeking rigorous historical scholarship on WWI
- Beginners whose English reading ability is not yet sufficient for long original texts
- Readers who prefer contemporary fast-paced narrative styles
Reading tips
- Before reading, learn the basic background of the WWI Western Front to better understand the characters' circumstances.
- Prepare a character relationship chart and note entries as you read to avoid confusing roles.
- Mark period language or military terms as you go, and look them up together after finishing each chapter.
- If used for English study, read one chapter at a fixed daily pace and excerpt long sentences for translation practice.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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Comments
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About the author
Ernest Raymond (1888–1974) was a British novelist. Readers in China know little about his life and the full range of his work, and publicly available material is very limited; the information that can be confirmed centers mainly on his nationality, dates, and representative work. He left a novel titled Tell England, which is the most direct entry point for understanding his literary profile. Around this representative work, what can be discussed is chiefly the thematic orientation and narrative style it displays as a sample of British fiction, rather than specific details of the author's personal experience. Because there is not enough documentary support, a complete assessment of his writing career is difficult to undertake. Readers who wish to know this author better should start from the works themselves and consult reliable publishing and critical sources, avoiding excessive inference from scattered information.
