Tales from Many Sources cover

Tales from Many Sources

Rating 3.0
Word count
373K words
Chapters
38

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Tales from Many Sources by VariousAuthor: Various,Language: English, Class: PN: Language and Literatures: Literature: General, Criticism, Collections, Release Date: Aug 2, 2005

Editor's review

Tales from Many Sources is a multi-source anthology of short stories, credited to "Various" and prepared by Project Gutenberg as a public-domain ebook. Its characteristic is its heterogeneity: the pieces come from different sources and vary in subject and tone, ranging from strongly plotted narratives to short pieces with moral allegory or exotic coloring, making it a useful sample for understanding the appearance of popular English short fiction of a certain period. Lacking a unified authorial style, the book is more like a small library that readers can dip into and select from piece by piece without the pressure of continuous reading. Its value lies mainly at the level of document and reading pleasure: it can serve as extensive reading material for English learners and as material for researchers observing the editorial tastes of anthologies of the time. Note that the anthology itself provides no systematic background introduction, and some pieces show the linguistic imprint of their era, so beginning readers may need annotations or a dictionary. Overall, this is a light book suited to fragmented time and interest-driven reading.

Who it's for

A good fit for

  • Learners who want to practice extensive English reading with short pieces and prefer dipping in and out
  • Readers interested in modern popular English stories and anthology editing
  • Casual readers who read on the commute or before bed and prefer short pieces to long ones
  • Teachers and organizers who need short text material for classes or reading groups

Not a good fit for

  • Readers seeking a unified style or a coherent long narrative
  • Beginners hoping for systematic literary history explanation and detailed annotation
  • Readers with low tolerance for early English expression and old-fashioned vocabulary

Reading tips

  1. Browse the table of contents first and try the pieces whose titles or subjects appeal most, then decide which to pursue.
  2. After each piece, note the plot and your impressions in two or three sentences to compare the styles of different sources.
  3. When you meet unfamiliar vocabulary, guess from context first and look it up after finishing the piece, so as not to break the rhythm.
  4. Different pieces can be assigned to reading-group members for individual sharing, reducing the burden of reading the whole book.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38

FAQ

Do these stories share a unified theme or author?
No. The book is credited to "Various," meaning it is a compilation of works by multiple authors, with pieces drawn from different sources and on different subjects, so the style is not unified. Readers are better off treating it as a short-story collection to be read selectively rather than expecting a thematic thread running through the book.
Is it suitable for learning English?
It can be used as extensive reading material, but it has limitations. The text consists of public-domain English short stories, some vocabulary and syntax carry the features of their era, and there is no systematic annotation. It is recommended for intermediate learners and above; focus on understanding the plot rather than scrutinizing every word, and look up difficult points in a concentrated way.
Should it be read from beginning to end in order?
Not necessarily. The pieces in an anthology are usually not continuous, so skipping around by table of contents is entirely feasible. You can start with shorter pieces or subjects that interest you, establish a reading rhythm, and then expand to other pieces, which better suits the book's dip-in-and-out use.

Comments

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This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

Various Author

Various is not a real person but a collective attribution used in book cataloging and databases for works with multiple authors, commonly applied to anthologies, compilations, or publications with too many contributors to list individually. On this Chinese book site, this attribution covers as many as 3,387 titles, spanning encyclopedic entries, historical documents, and trial records. Representative works include several volumes of the 11th edition of the Encyclopaedia Britannica and the record of the trial of the major war criminals before the International Military Tribunal at Nuremberg. Available public information is limited: nationality, birth and death dates, and common categories are not clearly recorded, making it difficult to summarize a unified writing style or personal biography. Readers should understand it as a cataloging convention rather than a single author.

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