Sunk at Sea
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy maritime adventure and shipwreck survival stories
- Intermediate learners who want to try English-language juvenile fiction in the original
- Researchers studying nineteenth-century English boys' adventure literature
- Readers who need light English reading for spare moments
Not a good fit for
- Readers expecting modern suspense pacing and complex narrative
- Beginners whose English is too weak to read a whole original novel
- Readers sensitive to the tone and attitudes of an older era
Reading tips
- Read one chapter first to gauge the language level, then decide whether to read closely or extensively
- Don't look up every nautical term; just follow the main plot
- You can take thematic reading notes by comparing the book with common tropes of nineteenth-century adventure fiction
- After finishing, revisit the characters' choices in crisis and reflect on the values of their time
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Robert Michael Ballantyne (1825–1894) was a Scottish writer of children's literature, born in Edinburgh. At sixteen he went to Canada and worked for the Hudson's Bay Company for six years, an experience that later supplied material for his adventure stories; after returning to Scotland in 1847 he devoted himself to writing and produced more than a hundred adventure novels, of which ninety-seven are held in this collection. His representative works include The Coral Island, The Dog Crusoe and his Master, Black Ivory, The Lighthouse and Martin Rattler, mostly drawing on seafaring, desert-island and frontier adventure, with tight plots and solid detail that combine instruction with appeal for young readers. He was also skilled in watercolour painting. Public information on his early education and private life is limited.