Seven Discourses on Art cover

Seven Discourses on Art

Rating 3.8
Word count
228K words
Chapters
23

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Seven Discourses on Art by Sir Joshua ReynoldsAuthor: Reynolds, Joshua, Sir, 1723-1792,Language: English, Class: N: Fine Arts, Release Date: May 1, 2000

Editor's review

This book collects seven lectures on art by Sir Joshua Reynolds, first president of the Royal Academy of Arts in London, presenting a systematic view from eighteenth-century English academic circles on the traditions of painting, standards of taste, and the cultivation of artists. As a key text of classical art theory, it has had a lasting influence on later discussions of imitation, the sublime, style, and professional training. This Project Gutenberg edition is the original English ebook, convenient for searching and citation. Read it as an entry point into the origins of Western academic art education, not as a quick manual of technique. It rewards slow reading in a quiet setting; paired with reference materials on European painting history, its arguments and their context become clearer. Readers interested in art theory, the history of aesthetics, and translation studies will also find topics worth pursuing.

Who it's for

A good fit for

  • Undergraduate and graduate students studying Western art history and classical theory
  • Teachers and curators interested in traditions of art education and the origins of academic institutions
  • Advanced enthusiasts seeking to sharpen their judgment in art appreciation
  • Readers in aesthetics, literature, or translation studies who need to cite the original text

Not a good fit for

  • Complete beginners who only want to learn specific painting steps and techniques
  • General casual readers expecting light, story-driven reading
  • Learners who struggle with English reading and have no parallel translation for support

Reading tips

  1. Read one lecture through first and identify its core argument before moving to the next; avoid swallowing the whole book at once.
  2. Jot down the judgments about taste, imitation, and style as you go, and compare them with specific paintings.
  3. When you meet unfamiliar names or works, consult art-history reference books or annotations, then reread the passage.
  4. Read alongside later art criticism to see how academic ideas were inherited or challenged.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23

FAQ

Is this book about painting techniques?
No. It is mainly a collection of Reynolds's lectures at the Royal Academy of Arts, discussing theoretical issues such as artistic taste, inheritance of tradition, style, and the cultivation of artists. It does not offer specific painting steps and is better read as a text in the history of artistic thought.
Is the original English version difficult to read?
The text is in the form of eighteenth-century English lectures, with long sentences and rather formal diction, so it poses a certain barrier for non-native readers. It is advisable to read introductory background material first, then go through the lectures slowly; where necessary, a reliable translation or annotated edition can be used alongside to reduce difficulty considerably.
Why choose the Project Gutenberg edition?
This edition provides a free electronic text, convenient for searching keywords, copying quotations, and reading on screen for long periods; it suits students and researchers who lack a print copy or need quick verification. It also preserves the basic appearance of the original book and can serve as a basis for further seeking annotated editions.

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About the author

Sir Joshua Reynolds Author · British · 1723–1792

Sir Joshua Reynolds (1723–1792) was an English portrait painter. He was born in Plympton, Devon, in 1723 and died in London in 1792. In 1753 he opened a studio in London; in 1768 he was elected the first President of the Royal Academy and was knighted. His lectures at the Royal Academy between 1769 and 1790 were collected as Discourses on Art, an important document of art criticism of the period; related works in the collection include Sir Joshua Reynolds' Discourses, Fifteen Discourses, and Seven Discourses on Art. Through these writings his ideas on art have exercised a lasting influence and hold a place in the history of art criticism.