Rhoda Fleming — Volume 1
Tags
Summary
Editor's review
Who it's for
A good fit for
- Literary readers studying female figures and rural society in the Victorian period
- Readers planning to read all of Rhoda Fleming who need to start with Volume 1
- Literature enthusiasts interested in the style of George Meredith's early novels
- Researchers needing a public-domain English text for keyword searching and textual analysis
Not a good fit for
- Readers who want a complete story and ending within a single volume
- Casual readers who prefer strong plot momentum and fast-paced narrative
- Readers with little patience for Victorian long sentences and slow setup
Reading tips
- Treat Volume 1 as the prologue to the whole book; read the later volumes and then look back at the setup for a fuller understanding.
- Pay attention to Rhoda's dialogue with those around her; Meredith often reveals character and stance through conversation.
- Combine background material on Victorian rural society and women's circumstances to deepen your understanding of the characters' choices.
- Use the electronic edition to search character names and keywords, helping to sort out the threads scattered through Volume 1.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
FAQ
Is it normal that Volume 1 has no ending?
Is this book a good entry point to Meredith?
What if the electronic edition has no annotations and is hard to read?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
George Meredith (1828–1909) was a nineteenth-century British novelist and poet, whose works are represented here by as many as 111 titles, indicating that his writing has continued to circulate among readers and researchers. His representative work, The Ordeal of Richard Feverel, centers on a father-son relationship and examines the conflicts of pride and emotion in a young man's growth; The Egoist, subtitled “A Comedy in Narrative,” uses marriage and social situations to portray character weaknesses and self-reflection. His novels are often marked by witty dialogue, psychological insight, and an ironic tone, with plot and character relationships unfolding layer by layer. Public information is limited, and biographical details remain to be supplemented, but the existing bibliography shows that narrative novels and multi-volume series form the main body of his work, reflecting the Victorian novel's detailed exploration of individual morality and emotional life.