Prisoner for Blasphemy
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the history of free speech and church-state relations
- Students of nineteenth-century British social and legal history
- Those interested in secularist movements and intellectual history
- Teachers and students seeking firsthand historical documents for coursework
Not a good fit for
- General readers seeking light narrative or literary entertainment
- Readers sensitive to religious debate or unwilling to engage with controversial content
- Researchers expecting a systematic academic monograph rather than a personal account
Reading tips
- First learn the legal background of blasphemy in nineteenth-century Britain; the author's account will then be clearer.
- While reading, distinguish the author's subjective argument from verifiable historical facts and take brief notes.
- Read alongside other works on the history of free speech to avoid a single perspective.
- After each chapter, consider: how do the legal boundaries of that time compare with freedom of expression today?
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
George William Foote (1850–1915) was an important figure in the British freethought movement; public information about him is limited, and the details of his life cannot be fully reconstructed. Ten of his works are held in the collection, mostly centering on religious criticism and secularism, including Prisoner for Blasphemy, Bible Romances, First Series, Reminiscences of Charles Bradlaugh, Flowers of Freethought, Arrows of Freethought, and Comic Bible Sketches, Reprinted from The Freethinker. These works show that he habitually examined biblical texts and religious authority through satire, argument, and popular narrative. His language is direct and carries a distinct Enlightenment and anti-clerical tone, and he left recollections of Charles Bradlaugh. Writing for ordinary readers, he sought to spread freethought in a light, even playful style, and is representative of the secularist publishing of his time.