Mightier than the Sword
Tags
Summary
Editor's review
Who it's for
A good fit for
- English-literature readers interested in the "pen mightier than the sword" theme
- Learners with intermediate English seeking free extensive-reading texts
- Literature enthusiasts studying early twentieth-century English fiction
Not a good fit for
- Readers needing a Chinese translation or detailed annotations
- Those who prefer fast-paced contemporary narrative and have little patience for old-fashioned prose
- Professional researchers seeking systematic literary theory
Reading tips
- Read the opening and table of contents first to judge how the theme unfolds before setting a pace.
- Advance by a fixed number of chapters each week to avoid stalling on the old-fashioned style.
- Note passages related to the title motif as you read for easy review.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
What does the title "Mightier than the Sword" mean?
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Comments
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About the author
Alphonse Courlander (Courlander, Alphonse, 1881–1914) is an author included in our collection, with only one surviving work, Mightier than the Sword. Public information about his nationality, exact dates, education, and professional career is limited, and the site has no further biographical details to offer; his writing can therefore be observed only through this single work. Judging from the title, the book appears to revolve around the relationship between words, speech, and power, carrying the sense of the pen as a sword and of writing as a commentary on the world. Its subject matter is close to discursive writing and may involve the force and influence of expression. Courlander's output is small and his traces are faint, so his place in literary history is not prominent; yet the very title Mightier than the Sword reveals his interest in the efficacy of writing and speech and still offers some reference value for understanding the discursive writing of his time. Readers who wish to know more about this author will need fuller bibliographic and biographical materials.