Little Dorrit cover

Little Dorrit

Rating 4.1
Word count
395K words
Chapters
74

Tags

Summary

In this novel Dickens launches a ferocious onslaught on England and English society, drawing on the memory of his own father for his depiction of the Marshalsea debtors' prison. Interwoven with this indictment is the story of the love between an older man and a younger woman.

Editor's review

Little Dorrit is one of Dickens's mature novels with the sharpest social critique. It weaves together the debtors' prison, bloated bureaucratic institutions, and a culture of speculation, making "imprisonment" both a concrete predicament and a metaphor for psychology and social relations. Dickens writes with biting satire of the dilatory absurdity of dogmatic institutions, yet with restraint and warmth of the love between Little Dorrit and the older man, creating a tension between cold irony and human tenderness. The novel's observations on money, class, family dependence, and self-respect still resonate today. It suits readers willing to read slowly and attend to social structures and character fates, progressing in sections over a longer period to appreciate Dickens's layered craftsmanship.

Who it's for

A good fit for

  • Classic literature readers who enjoy Dickens's social critique and ensemble narratives
  • Readers concerned with the relationship between debt, class, bureaucracy, and individual fate
  • Readers willing to read long novels patiently and appreciate the interplay of satire and tenderness
  • Literature enthusiasts seeking insight into Victorian English society

Not a good fit for

  • Readers looking for light short stories or fast-paced love stories
  • Readers impatient with long ensemble casts, multiple plotlines, and dense satire
  • Readers who want simple inspirational stories and prefer to avoid society's dark side

Reading tips

  1. First clarify the relationships among the Dorrit family, the Clennam family, and the Marshalsea, then move into details
  2. Treat "imprisonment" as a thread running through the book, noting self-imposed limits in characters' words and actions
  3. Slow down on chapters satirizing bureaucratic institutions and consult background materials if needed
  4. Advance through the long novel volume by volume, reviewing changes in characters' circumstances and money relationships after each part

Contents

  1. Copyright information
  2. PREFACE TO THE 1857 EDITION
  3. BOOK THE FIRST: POVERTY
  4. CHAPTER 1. Sun and Shadow
  5. CHAPTER 2 Fellow Travellers
  6. CHAPTER 3. Home
  7. CHAPTER 4. Mrs Flintwinch has a Dream
  8. CHAPTER 5. Family Affairs
  9. CHAPTER 6. The Father of the Marshalsea
  10. CHAPTER 7. The Child of the Marshalsea
  11. CHAPTER 8. The Lock
  12. CHAPTER 9. Little Mother
  13. CHAPTER 10. Containing the whole Science of Government
  14. CHAPTER 11. Let Loose
  15. CHAPTER 12. Bleeding Heart Yard
  16. CHAPTER 13. Patriarchal
  17. CHAPTER 14. Little Dorrit's Party
  18. CHAPTER 15. Mrs Flintwinch has another Dream
  19. CHAPTER 16. Nobody's Weakness
  20. CHAPTER 17. Nobody's Rival
  21. CHAPTER 18. Little Dorrit's Lover
  22. CHAPTER 19. The Father of the Marshalsea in two or three Rel
  23. CHAPTER 20. Moving in Society
  24. CHAPTER 21. Mr Merdle's Complaint
  25. CHAPTER 22. A Puzzle
  26. CHAPTER 23. Machinery in Motion
  27. CHAPTER 24. Fortune-Telling
  28. CHAPTER 25. Conspirators and Others
  29. CHAPTER 26. Nobody's State of Mind
  30. CHAPTER 27. Five-and-Twenty
  31. CHAPTER 28. Nobody's Disappearance
  32. CHAPTER 29. Mrs Flintwinch goes on Dreaming
  33. CHAPTER 30. The Word of a Gentleman
  34. CHAPTER 31. Spirit
  35. CHAPTER 32. More Fortune-Telling
  36. CHAPTER 33. Mrs Merdle's Complaint
  37. CHAPTER 34. A Shoal of Barnacles
  38. CHAPTER 35. What was behind Mr Pancks on Little Dorrit's Han
  39. CHAPTER 36. The Marshalsea becomes an Orphan
  40. BOOK THE SECOND: RICHES
  41. CHAPTER 1. Fellow Travellers
  42. CHAPTER 2. Mrs General
  43. CHAPTER 3. On the Road
  44. CHAPTER 4. A Letter from Little Dorrit
  45. CHAPTER 5. Something Wrong Somewhere
  46. CHAPTER 6. Something Right Somewhere
  47. CHAPTER 7. Mostly, Prunes and Prism
  48. CHAPTER 8. The Dowager Mrs Gowan is reminded that 'It Never
  49. CHAPTER 9. Appearance and Disappearance
  50. CHAPTER 10. The Dreams of Mrs Flintwinch thicken
  51. CHAPTER 11. A Letter from Little Dorrit
  52. CHAPTER 12. In which a Great Patriotic Conference is holden
  53. CHAPTER 13. The Progress of an Epidemic
  54. CHAPTER 14. Taking Advice
  55. CHAPTER 15. No just Cause or Impediment why these Two Person
  56. CHAPTER 16. Getting on
  57. CHAPTER 17. Missing
  58. CHAPTER 18. A Castle in the Air
  59. CHAPTER 19. The Storming of the Castle in the Air
  60. CHAPTER 20. Introduces the next
  61. CHAPTER 21. The History of a Self-Tormentor
  62. CHAPTER 22. Who passes by this Road so late?
  63. CHAPTER 23. Mistress Affery makes a Conditional Promise,
  64. CHAPTER 24. The Evening of a Long Day
  65. CHAPTER 25. The Chief Butler Resigns the Seals of Office
  66. CHAPTER 26. Reaping the Whirlwind
  67. CHAPTER 27. The Pupil of the Marshalsea
  68. CHAPTER 28. An Appearance in the Marshalsea
  69. CHAPTER 29. A Plea in the Marshalsea
  70. CHAPTER 30. Closing in
  71. CHAPTER 31. Closed
  72. CHAPTER 32. Going
  73. CHAPTER 33. Going!
  74. CHAPTER 34. Gone

FAQ

What does the title Little Dorrit refer to?
It refers to the heroine, Amy Dorrit. She is small in stature and lives under the weight of debt and family pressure, so she is often called "Little Dorrit." The title takes her name for the whole book and makes this kind, discerning woman the central lens for observing society.
Can I read it without prior experience with Dickens?
Yes, but it requires some patience. The book has many characters and long plotlines, and its satire targets nineteenth-century British institutions; an annotated edition is recommended. First grasp the relationship between the Dorrit and Clennam families, then expand gradually—there's no need to remember every character at the start.
What does this book mainly criticize?
It mainly criticizes social mechanisms represented by the debtors' prison and bureaucratic institutions, as well as the hypocritical relationships formed around money, inheritance, and speculation. Dickens writes both about institutional pressure on individuals and about how people deceive themselves, become dependent, and lose dignity within them; the critique does not stop at any single institution.
Is it suitable to read in one sitting?
Not really. The work is long and heavily铺垫—continuous hard reading can bog you down in names and subplots. Reading by volume or by major scenes, with brief reviews after each session, actually makes the layers of satire and changes in relationships easier to appreciate.

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About the author

Charles Dickens Author · British · 1812–1870

Charles Dickens was the greatest novelist of the Victorian era in nineteenth-century Britain. Born in Portsmouth in 1812, he was forced to leave school and work as a child laborer because of his family's debts, an experience that profoundly shaped his critical view of society. His major works include Oliver Twist, David Copperfield, A Tale of Two Cities, and Great Expectations, which expose social injustice and are filled with humanitarian concern. With intricate plots, vivid characters, and an infectious style, he portrayed the many facets of Victorian British society and addressed issues such as the gap between rich and poor, justice, and education. His works remain widely read today, and the library holds 128 editions of his works, spanning foreign literature, world classics, and inspirational coming-of-age categories.

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