Les grandes dames cover

Les grandes dames

Rating 3.1
Word count
1M words
Chapters
102

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Les grandes dames by Arsène HoussayeAuthor: Houssaye, Arsène, 1815-1896,Language: French, Class: PQ: Language and Literatures: Romance literatures: French, Italian, Spanish, Portuguese, Release Date: Nov 1, 2005

Editor's review

This work was written in French by Arsène Houssaye and made available as a free eBook by Project Gutenberg. Houssaye was active in the nineteenth century, and his writing often centered on women and the manners of his era; the title “Les grandes dames” itself signals the book’s attention to female figures. As a public-domain electronic resource, its value lies first in accessibility: readers can encounter a nineteenth-century French original at no cost, which makes it convenient for language study, tracing literary history, or research on French social and cultural life. It should be noted that this is an early French work whose narrative pace and attitudes bear the marks of its time; readers should approach it in historical context rather than judging it by contemporary standards. It is better suited to extended reading or research materials than to leisure reading that seeks strong plot. The electronic edition is easy to search and excerpt, making it suitable for note-taking while reading.

Who it's for

A good fit for

  • French majors who need nineteenth-century French originals for extensive reading practice
  • Researchers of French literature interested in nineteenth-century writing on women
  • Readers of history and literature interested in French social customs
  • Readers accustomed to public-domain eBooks who can look up background information themselves

Not a good fit for

  • Readers who cannot read French at all and do not need a parallel translation
  • Casual readers expecting a continuous, strongly plotted novel
  • Beginners who need modern annotations and an introduction

Reading tips

  1. First read through the table of contents and opening to identify the character threads, then decide the order for close reading.
  2. Keep a French dictionary or reference tool at hand; with long sentences, map the structure before interpreting.
  3. After each section, note in a few sentences the characters and historical background for easier review.
  4. Read alongside a brief overview of nineteenth-century French history to reduce the contextual gap.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82
  83. 83
  84. 84
  85. 85
  86. 86
  87. 87
  88. 88
  89. 89
  90. 90
  91. 91
  92. 92
  93. 93
  94. 94
  95. 95
  96. 96
  97. 97
  98. 98
  99. 99
  100. 100
  101. 101
  102. 102

FAQ

Is this book a novel or a collection of character sketches?
Judging from the title and Houssaye’s orientation as a writer, the book centers on “great ladies” and clearly has a character-writing emphasis. The available information does not specify the genre in more detail; readers may approach it as a nineteenth-century French work on female figures, and the exact structure of the pieces will need to be confirmed in reading.
Can I read this book without knowing French?
The book is in the original French, and public-domain electronic editions usually lack modern annotations. Without French, reading it is quite difficult; it is advisable to find an edition with a translation or use translation tools, otherwise long sentences and old-fashioned expressions will be major obstacles.
What kind of reading approach suits the electronic edition?
The electronic edition is convenient for searching names, excerpting passages, and adjusting font size, so it suits reading in sections and taking notes. It is best not to read it straight through in one go; instead, divide it by figure or theme, work through it with background materials, and organize the main points afterward.

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About the author

Arsène Houssaye Author · French · 1815–1896

Arsène Houssaye (1815–1896) was a French novelist, poet and literary critic, born in Bruyères, Aisne. He published two novels in 1836, later served for many years as editor of L'Artiste, directed the Théâtre-Français from 1849 to 1859, and became Inspector General of Fine Arts in 1859. His works include novels and memoirs, notably Les douze nouvelles nouvelles, Les grandes dames, Les mains pleines de roses, pleines d'or et pleines de sang, and the memoir Souvenirs d'un demi-siècle. His writing often deals with social manners and portraits of characters, combining narrative with critical commentary. He died in Paris in 1896. Public information is limited, and his literary standing and influence warrant further study.

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