Irene Iddesleigh
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in Victorian popular fiction and prose style
- Scholars or enthusiasts studying the reception history of “bad literature” and literary taste
- General readers who enjoy curiosity-driven reading and savor unusual styles
- Learners who need public-domain English literary texts for language analysis
Not a good fit for
- Readers of fiction who want tightly plotted logic and deep character development
- Those hoping for a classic love story and emotional resonance
- Readers with low tolerance for exaggerated, ornate prose
Reading tips
- Read it as a stylistic specimen; jot down striking metaphors and share them with friends.
- Don’t force yourself to read it in one sitting; go chapter by chapter and review the linguistic “highlights” after each.
- Before reading, learn the common conventions of late-nineteenth-century popular fiction so you can compare the book’s deviations.
- If using it for discussion or writing, select passages for stylistic analysis rather than summarizing the whole plot.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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About the author
Amanda McKittrick Ros (1860–1939) was an Irish novelist and poet, best known for her book Irene Iddesleigh. She published this novel at her own expense in the late nineteenth century and went on to write poetry and other works, though only this one title is held in our collection. Ros's style is highly idiosyncratic: she piled up ornate diction, used elaborate and often misplaced metaphors, and constructed convoluted, exaggerated sentences, so that she is often regarded as a byword for deliberately florid prose and has become a curious marginal figure in English literary circles. Discussion of her tends to focus on this style itself rather than on plot or characterisation. Beyond her name, nationality, dates and representative work, public information is limited, and details of her life and a complete list of her works remain to be verified.