In Brief Authority cover

In Brief Authority

Rating 3.8
Word count
645K words
Chapters
65

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.In Brief Authority by F. AnsteyAuthor: Anstey, F., 1856-1934,Language: English, Class: PR: Language and Literatures: English literature, Release Date: Mar 31, 2009

Editor's review

In Brief Authority is a novel by the English writer F. Anstey (1856–1934), released by Project Gutenberg as a free ebook and classified under English literature. Anstey is known for humorous fantasy that brings supernatural elements into everyday life, and this book follows that vein: when ordinary people are pushed into positions of authority that are not really theirs, order and absurdity arrive together, and the comedy grows naturally out of the mismatch of status. The work's value lies in the light mirror it holds up: how power and respectability distort themselves in ridiculous situations, making readers laugh while leaving something to linger. The language has the ease and wit of English fiction from the late nineteenth and early twentieth centuries, with dense dialogue and understated irony, suited to slow reading in leisure time. As for reading situation, it works better as a bedside or travel book, taken chapter by chapter rather than in one sitting. Note that it is an English original dealing with the social titles and details of life of its time, so Chinese readers may need a little patience with the background; it is also light satirical comedy and does not aim at serious social analysis. Overall, it is an English humorous novel that time has obscured but that still reads with interest.

Who it's for

A good fit for

  • Readers who enjoy English humor and light satire and want an easy read
  • Literature lovers interested in English society of the late nineteenth and early twentieth centuries
  • Readers who can read English originals and are willing to read a chapter at a time in leisure
  • Researchers of the tradition of humorous fantasy who want to add Anstey's work to their reading

Not a good fit for

  • Readers who prefer tight plotting, strong suspense, or fast-paced narrative
  • Readers hoping for serious social critique or deep psychological portrayal
  • Readers whose English is not yet proficient and who need a Chinese translation as support

Reading tips

  1. Read chapter by chapter, one or two at a time, letting the irony and comedy develop in the intervals.
  2. Pause briefly at passages involving titles and etiquette, noting the contrasts created by mismatched status.
  3. First get a sense of the humorous fantasy vein the author is known for, then enter the text; the style is easier to appreciate that way.
  4. If the English is difficult, read a plot summary first to grasp the main line, then go back to the dialogue-heavy chapters for close reading.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65

FAQ

Is this book serious literature or light comedy?
It leans overall toward light comedy. The author is known for placing supernatural or absurd premises in everyday life; this book creates comedy from mismatches of identity and authority, with irony that is understated rather than sharp. It is not a work of serious social analysis; read it as an entertaining novel with wit rather than with heavy expectations.
Do I need to know British history beforehand?
Not systematically, but a little background makes for smoother reading. The book involves the titles, etiquette, and everyday details of its time, and these are the soil in which the comedy grows. Look up unfamiliar titles as you go; there is no need to stop and study, since the context will gradually make the proportions clear.
How difficult is the English original for Chinese readers?
It is on the moderately difficult side. The sentences are unhurried and the dialogue dense; the vocabulary is not obscure, but the prose has the feel of its era and an understated irony that requires sensitivity to tone. Readers with fairly proficient English can read the original directly; those who find it hard can first use a plot summary to clarify the main line, then read chapter by chapter.
Is this book suitable for reading in one sitting?
Not really. The pacing is unhurried, and the comedy and irony need some interval to be appreciated; forcing oneself to read straight through tends to bring fatigue. It works better as a bedside or travel book, one or two chapters at a time, letting the mismatched identities and absurdities reveal their flavor during the pauses.

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About the author

F. Anstey (1856–1934) was a British writer known for humorous fantasy novels and satirical works. His best-known book, Vice Versa or, A Lesson to Fathers, tells the absurd story of a father and son who swap identities and became a pioneer of this kind of plot after its wide popularity; The Brass Bottle uses a genie released into the modern world to set off a series of comic conflicts. He also wrote novels such as In Brief Authority and The Tinted Venus: A Farcical Romance, short story collections including The Black Poodle, and Other Tales, and parodies of well-known Ibsen plays collected as Mr Punch's Pocket Ibsen. His works often use supernatural premises to poke gentle fun at Victorian social customs and family relations, in a light and witty tone. The library holds 18 of his works. Public information is limited, and this introduction is based mainly on his surviving works.

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