Far from the Madding Crowd
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy Victorian English fiction and are willing to read character relationships closely
- Readers interested in rural life, nature writing, and themes of women's fate
- Readers of the English original who need edition appendices to aid understanding of the background
- Literature enthusiasts seeking a systematic reading starting point with a Hardy masterpiece
Not a good fit for
- Genre fiction readers used to fast-paced, plot-driven narratives
- Readers who only want plot summaries and avoid lengthy landscape descriptions
- Readers expecting a modern urban setting or a light comic atmosphere
Reading tips
- Read through in chapter order first; don't rush to sort out every character name—let the figures become clear through events.
- At key emotional choices, pause and look back at earlier foreshadowing to see how character drives fate.
- After finishing, read the afterword and author biography to place the work in Hardy's creative context.
- If reading the English original, keep pen and paper to note place names and character titles, reducing the burden of recognition.
Contents
- Copyright information
- PREFACE
- Part 1
- CHAPTER I Description of Farmer Oak—An Incident
- CHAPTER II NIGHT—THE FLOCK—AN INTERIOR—ANOTHER INTERIOR
- CHAPTER III A GIRL ON HORSEBACK—CONVERSATION
- CHAPTER IV GABRIEL'S RESOLVE—THE VISIT—THE MISTAKE
- CHAPTER V DEPARTURE OF BATHSHEBA—A PASTORAL TRAGEDY
- CHAPTER VI THE FAIR—THE JOURNEY—THE FIRE
- CHAPTER VII RECOGNITION—A TIMID GIRL
- CHAPTER VIII THE MALTHOUSE—THE CHAT—NEWS
- CHAPTER IX THE HOMESTEAD—A VISITOR—HALF-CONFIDENCES
- CHAPTER X MISTRESS AND MEN
- CHAPTER XI OUTSIDE THE BARRACKS—SNOW—A MEETING
- CHAPTER XII FARMERS—A RULE—AN EXCEPTION
- CHAPTER XIII SORTES SANCTORUM—THE VALENTINE
- Part 2
- CHAPTER XIV EFFECT OF THE LETTER—SUNRISE
- CHAPTER XV A MORNING MEETING—THE LETTER AGAIN
- CHAPTER XVI ALL SAINTS' AND ALL SOULS'
- CHAPTER XVII IN THE MARKET-PLACE
- CHAPTER XVIII Boldwood in Meditation—Regret
- CHAPTER XIX THE SHEEP-WASHING—THE OFFER
- CHAPTER XX PERPLEXITY—GRINDING THE SHEARS—A QUARREL
- CHAPTER XXI TROUBLES IN THE FOLD—A MESSAGE
- CHAPTER XXII THE GREAT BARN AND THE SHEEP-SHEARERS
- CHAPTER XXIII EVENTIDE—A SECOND DECLARATION
- CHAPTER XXIV THE SAME NIGHT—THE FIR PLANTATION
- CHAPTER XXV THE NEW ACQUAINTANCE DESCRIBED
- CHAPTER XXVI SCENE ON THE VERGE OF THE HAY-MEAD
- CHAPTER II HIVING THE BEES
- CHAPTER XXVIII THE HOLLOW AMID THE FERNS
- CHAPTER XXIX PARTICULARS OF A TWILIGHT WALK
- Part 3
- CHAPTER XXX HOT CHEEKS AND TEARFUL EYES
- CHAPTER XXXI BLAME—FURY
- CHAPTER XXXII NIGHT—HORSES TRAMPING
- CHAPTER XXXIII IN THE SUN—A HARBINGER
- CHAPTER XXXIV HOME AGAIN—A TRICKSTER
- CHAPTER XXXV AT AN UPPER WINDOW
- CHAPTER XXXVI WEALTH IN JEOPARDY—THE REVEL
- CHAPTER XXXVII THE STORM—THE TWO TOGETHER
- CHAPTER XXXVIII RAIN—ONE SOLITARY MEETS ANOTHER
- CHAPTER XXXIX COMING HOME—A CRY
- CHAPTER XL ON CASTERBRIDGE HIGHWAY
- CHAPTER XLI SUSPICION—FANNY IS SENT FOR
- CHAPTER XLII JOSEPH AND HIS BURDEN—BUCK'S HEAD
- CHAPTER XLIII FANNY'S REVENGE
- CHAPTER XLIV UNDER A TREE—REACTION
- CHAPTER XLV TROY'S ROMANTICISM
- Part 4
- CHAPTER XLVI THE GURGOYLE: ITS DOINGS
- Erected by Francis Troy In Beloved Memory of Fanny Robin
- CHAPTER XLVII ADVENTURES BY THE SHORE
- CHAPTER XLVIII DOUBTS ARISE—DOUBTS LINGER
- CHAPTER XLIX OAK'S ADVANCEMENT—A GREAT HOPE
- CHAPTER L THE SHEEP FAIR—TROY TOUCHES HIS WIFE'S HAND
- CHAPTER LI BATHSHEBA TALKS WITH HER OUTRIDER
- CHAPTER LII CONVERGING COURSES
- CHAPTER LIII CONCURRITUR—HORAE MOMENTO
- CHAPTER LIV AFTER THE SHOCK
- CHAPTER LV THE MARCH FOLLOWING—"BATHSHEBA BOLDWOOD"
- CHAPTER LVI BEAUTY IN LONELINESS—AFTER ALL
- Erected by Francis Troy In Beloved Memory of Fanny Robin Who
- In the Same Grave lie The Remains of the aforesaid Francis T
- CHAPTER LVII A FOGGY NIGHT AND MORNING—CONCLUSION
- NOTES
FAQ
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About the author
Thomas Hardy was an important English novelist and poet of the Victorian era. The collection holds fifteen of his works, including several English editions of Jude the Obscure, the full English text of Tess of the d'Urbervilles, and Far from the Madding Crowd. His novels are mostly set in the rural southwest of England and portray ordinary people struggling between fate, social convention, and personal desire. His tone is somber yet compassionate, and his critique of marriage, class, and the educational system is especially sharp. The works are often classed as foreign literature and classics, with an element of inspirational growth. Because public information is limited, biographical details are omitted here, with emphasis placed on his themes and literary influence.