Eve and David
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers interested in the industrial transformation of nineteenth-century Europe
- Those who wish to understand, through literature, the early collision between the patent system and financialization
- Scholars and students studying the architecture of Balzac's La Comédie humaine
- Contemporary women seeking a balance between equality in marriage and self-worth
Not a good fit for
- Readers who want only a romantic love story and reject descriptions of economic detail
- Those with little patience for nineteenth-century legal terminology and printing processes
Reading tips
- Read the first two parts of Illusions perdues, Les Deux Poètes and Un Grand Homme de Province à Paris, first; otherwise character motives and the chain of debt will seem abrupt
- Prepare a map of southwestern France around 1830 marking the transport routes between Angoulême, Bordeaux, and Paris to feel the tension between "province and capital" directly
- Read alongside César Birotteau and Le Père Goriot from La Comédie humaine to see the same financial figures echoed across different novels
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
FAQ
Is this a standalone story, or must the trilogy be read in order?
Why does Project Gutenberg title it Eve and David rather than Lost Illusions III?
There are long passages describing papermaking; do I need a scientific background?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Honoré de Balzac (1799–1850) was a French novelist best known for his vast series La Comédie humaine. The library holds 143 of his works, including Father Goriot, Lost Illusions, Eugénie Grandet, and several volumes of La Comédie humaine. His writing is distinguished by dense detail, a large cast of characters, and an intricate social network, often linking separate works through recurring figures to portray nineteenth-century French society. He excelled at depicting the power of desire, ambition, and money through precise settings and strong narrative tension, and he exerted a lasting influence on later realist fiction. Beyond the broad outline of his life, public information is limited, so this note focuses on the themes and style of his works.