Essays in Idleness
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy essays, discursive prose, and short-form reading
- Readers concerned with nineteenth-century women's lives and social ideas
- Readers who hope to appreciate the author's wit through everyday trifles
- Writers studying discursive texts and humorous expression
Not a good fit for
- Readers expecting continuous plot and strong adventure elements
- Readers who only want a quick, practical life guide
- Readers who reject period limitations and sexist stereotypes
Reading tips
- Choose one essay at a time for independent reading and note its core argument
- Mark the different tones of irony, humor, and direct exposition
- Compare the author's attitudes toward women's roles and social customs
- Use specific sentences to discern period ideas and the author's stance
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Agnes Repplier (1855–1950) was an American essayist known for light, witty prose. Five of her works are held in this collection: In Our Convent Days, Americans and Others, Points of View, Essays in Idleness, and In the Dozy Hours, and Other Papers. These titles show that she drew on everyday life, reading, and travel for her material, writing in a relaxed style tinged with gentle irony and nostalgia, and with a keen eye for human manners. Active in American letters from the late nineteenth to the mid-twentieth century, her essays had a certain influence among magazines and readers of her time. Public information is limited, so details of her life and the critical reception of her work cannot be given in full; yet these works alone show her to be a writer of short essays, elegant in style and distinctive in personal voice.