Droll Stories, Volume 2 cover

Droll Stories, Volume 2

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12
Series
The second volume of Balzac's Rabelaisian tale collection, comprising the second set of ten stories with their prologue and epilogue.

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Summary

Droll Stories (original French title Contes drolatiques, often rendered in Chinese as Tales of Touraine or A Hundred Droll Tales) is a collection of short stories that Balzac wrote outside The Human Comedy. He claimed the stories came from old manuscripts preserved in the monasteries of Touraine and that he had edited and published them for the amusement of "Pantagruelists" (readers of Rabelais's Gargantua and Pantagruel); in fact every story was his own, drawn from France in the fourteenth to sixteenth centuries, and he deliberately imitated sixteenth-century Old French and Rabelais's blunt, rough, vivid style. He originally planned one hundred tales in ten volumes but completed only three volumes plus some fragments, about thirty tales in all. In the standard English translations these stories are usually arranged in volumes as "the first ten," "the second ten," and "the third ten." Volume 2 generally corresponds to the second set of ten: a prologue opens it, followed by The Three Clerks of St. Nicholas, The Continence of King Francis the First, The Merry Tattle of the Nuns of Poissy, How the Chateau d'Azay Came to Be Built, The False Courtesan, The Danger of Being Too Innocent, The Dear Night of Love, The Sermon of the Merry Vicar of Meudon, The Succubus, and Despair in Love, with an epilogue at the end. These stories mostly concern love affairs and the absurd doings of clergy and nobility, carrying satire on society and human nature within their laughter and abuse. It should be noted that the "collections of English classics" circulating online are often merely simple merges of public-domain texts, differing in how the volumes are divided, the order of the stories, and whether a translator's preface is included; this entry corresponds to Volume 2 of the work, not the whole set.

Editor's review

提起巴尔扎克,多数读者想到的是《高老头》《欧也妮·葛朗台》那种沉甸甸的现实主义。而《Droll Stories》恰恰相反:它是这位工作狂作家放下“社会书记官”身份后的一场狂欢,是写给拉伯雷的致敬之作。巴尔扎克在这里放下了庄重典雅的现代文体,改用仿古法语,把修士、贵族、法官、老板娘统统拉进一场场带荤味的笑闹里,笑声之下藏着相当尖锐的讽刺。 第2卷是整部书中风味最足的一辑。“第二个十篇”里既有修女们的闲言碎语,也有城堡如何建成的来龙去脉,还有一场关于“女妖”的荒诞审判;故事长短不一,有的一气呵成,有的层层嵌套,读起来像在听一位极会讲故事的老人絮叨。 如果你手边是比较严谨的版本(如施康强据以翻译的中文全译本所对应的底本),能读到“先声”“余韵”这类框架文字,它们正是巴尔扎克精心伪造“古手稿”气氛的一部分。对于想认识巴尔扎克另一面、或对欧洲中世纪至文艺复兴市井风趣感兴趣的读者,这一卷是很好的入口;不过也请预备好它并不“正经”,有些玩笑在今天看会显得粗俗。 本条目为电子合集分卷,实际排版、页码与是否附译者序因版本而异。

Who it's for

A good fit for

  • 已读过巴尔扎克现实主义代表作,想看他另一副笔墨的读者
  • 喜欢《十日谈》《巨人传》一类框架故事集的人
  • 对中世纪至文艺复兴法国市井生活与语言风味感兴趣的读者
  • 研究巴尔扎克创作谱系、需要了解《人间喜剧》之外的旁支作品的学生

Not a good fit for

  • 希望读到《高老头》式严肃社会剖析的读者
  • 对涉及情欲、粗俗玩笑和宗教讽刺内容较为敏感的读者
  • 需要规范注释与学术导言、且只接受权威纸本版本的研究者

Reading tips

  1. 不必从头到尾硬啃,可每读一两篇就停下,像听评书一样慢慢消化。
  2. 留意每卷前后的“先声”“余韵”,那是理解巴尔扎克伪托手稿用意的一把钥匙。
  3. 若读英文版吃力,可对照施康强译《都兰趣话》(人民文学出版社)理解那些仿古语言的俏皮之处。
  4. 遇到人名、地名密集的段落不必纠缠,抓住故事的笑点与讽刺对象即可。

Contents

  1. Prologue
  2. The Three Clerks of St. Nicholas
  3. The Continence of King Francis the First
  4. The Merry Tattle of the Nuns of Poissy
  5. How the Chateau d'Azay Came to Be Built
  6. The False Courtesan
  7. The Danger of Being Too Innocent
  8. The Dear Night of Love
  9. The Sermon of the Merry Vicar of Meudon
  10. The Succubus
  11. Despair in Love
  12. Epilogue

FAQ

这本书和中文版《都兰趣话》是同一部作品吗?
是。《Droll Stories》即巴尔扎克《Contes drolatiques》,中文通译《都兰趣话》或《趣话百篇》,施康强译本由人民文学出版社出版,收入“名著名译丛书”。中译本的卷次划分与英文版“十篇一组”的编排大致对应。
第2卷包含哪些故事?
通行英译本中,第2卷即“第二个十篇”,通常包括《圣尼古拉的三个门徒》《弗朗索瓦一世节欲记》《普瓦西修女们的趣话》《阿寨城堡营建始末》《假花魁》《不解风情的危害》《销魂之夜》《默东的快乐神甫的布道词》《女妖媚人案》《痴情汉》,前后另有“先声”和“余韵”。不同版本略有出入。
这套书是巴尔扎克计划中的全部一百篇吗?
不是。巴尔扎克原计划写一百篇、分十卷,实际只完成三卷及部分残稿,约三十篇,因此市面上任何版本都不是“全一百篇”。
为什么读起来语言很古怪?
因为巴尔扎克刻意戏仿十六世纪古法语和拉伯雷的文风,制造“古手稿”的效果。英文译本也多保留仿古腔调,中文译者施康强则用仿话本小说的笔法对应,初读需要适应。

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About the author

Honoré de Balzac Author · France · 1799–1850

Honoré de Balzac (1799–1850) was a French novelist and playwright and a leading figure of nineteenth-century literary realism. Born in Tours and died in Paris, he spent nearly twenty years creating La Comédie humaine, a collection of more than ninety works with over 2,400 characters, among which Le Père Goriot, Eugénie Grandet, Lost Illusions and La Peau de chagrin are especially well known. Through detailed settings and character portrayal, the collection depicts French society across its classes and is often called an encyclopedia of French society. Balzac's writing is grounded in reality, attentive to authentic detail and the continuity of his characters' fates, and has had a profound influence on later realist literature.