Class of '29 cover

Class of '29

Rating 3.0
Word count
134K words
Chapters
14

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Class of '29 by Milo Hastings and Orrie LashinAuthor: Lashin, Orrie,Language: English, Class: PS: Language and Literatures: American and Canadian literature, Release Date: Nov 14, 2005

Editor's review

This work, co-authored by Milo Hastings and Ori Rachin, falls under the category of American and Canadian literature and is freely distributed through Project Gutenberg, making it a literary specimen from the early public-domain digitization of ebooks. Based on available information, readers may regard it as reading material set against the backdrop of early twentieth-century English-language literature, suitable for those interested in public-domain book resources, the genealogy of American literature, and the history of ebooks. Project Gutenberg itself was founded by Michael Hart in 1971, and this publishing context lends the book a layer of digital-humanities significance: it is not merely a literary work but also a witness to the open dissemination of public knowledge. When reading, one might situate the text within its linguistic and categorical context and note possible differences in narrative and style between the co-authors. Since the materials provide no specific plot or reviews, readers should approach with an open mind, treating it as an excursion into early English-language literature and the tradition of free ebooks rather than seeking the strong plotting of a bestseller.

Who it's for

A good fit for

  • Readers interested in early twentieth-century American literature and public-domain books
  • Digital humanities enthusiasts who want to learn about Project Gutenberg and the history of ebooks
  • Literature students seeking supplementary reading in the English-literature category
  • Readers who enjoy short-story collections or co-authored works and are willing to explore the text on their own

Not a good fit for

  • Contemporary genre-fiction readers seeking strong plotting and fast-paced narrative
  • Beginner readers who need detailed introductions, annotations, or a Chinese translation
  • Researchers who expect complete materials such as author biographies and critical evaluations

Reading tips

  1. Begin with Project Gutenberg’s release notes to understand how the book entered the public domain, then proceed to the main text.
  2. Mark passages by co-author and note differences in language and structure between the two writers.
  3. Read alongside works from the same period in American literary history to establish a categorical frame of reference.
  4. After finishing, record your impressions of reading a public-domain ebook and build your own digital-reading notes.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14

FAQ

Why is this book published by Project Gutenberg?
Project Gutenberg is the earliest institution to offer free ebooks, founded by Michael Hart in 1971. This book has been included as a public-domain work of English-language literature, belonging to the category of texts that the project has long digitized and made freely available, so readers can obtain it legally and at no cost.
What should readers keep in mind with a co-authored work?
A co-authored work may show two authors’ different linguistic habits and narrative tendencies. The materials only state that Milo Hastings and Ori Rachin are co-authors and do not specify the division of labor; readers can compare chapter styles on their own and need not assume a unified voice.
Does the lack of a Chinese translation affect reading?
This book is in the original English and belongs to the category of American and Canadian literature. If English reading ability is limited, comprehension will be affected; readers with basic English reading skills can read it through with a dictionary, or treat it as extensive reading material in English literature rather than relying on a Chinese translation for in-depth study.
Is this book suitable for studying the history of ebooks?
It can serve as a sample from Project Gutenberg’s free ebook library, helping readers directly experience the release format and metadata organization of early ebooks. However, for rigorous digital-humanities research, one should also consult the project’s official materials and other literature, and should not draw conclusions from a single book alone.

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About the author

Lashin, Orrie Author

Lashin, Orrie is an author about whom relatively little public information is currently available. Only one work by this author is held in the collection, namely Class of '29. Since details such as nationality, dates of birth and death, educational background, and writing career have not been clearly recorded, this introduction makes no inferences and focuses solely on the known work. Judging from the title, Class of '29 may relate to a graduating class or a group tied to a particular year; “29” could refer either to a year or to a class number, and its exact meaning would need to be confirmed from the book itself. On the basis of the available material, it is difficult to determine whether the book is fiction, nonfiction, or another genre, and its writing style and reader reception cannot be confirmed. What can be stated is that Lashin, Orrie's creative profile is presently represented by this single work, and an assessment of the author's thematic choices and narrative approach must await further information.