Charles Dickens as a Reader cover

Charles Dickens as a Reader

Rating 3.0
Word count
385K words
Chapters
39

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Charles Dickens as a Reader by Charles KentAuthor: Kent, Charles, 1823-1902,Language: English, Class: PR: Language and Literatures: English literature, Release Date: May 5, 2007

Editor's review

Written by Charles Kent, this book focuses on Dickens as a public reader. It is a free public-domain e-book from Project Gutenberg, classified under English literature. Its unique value lies in documenting an era when a literary figure performed his own works aloud, showing readers Dickens's performative talent and public persona beyond his writing. The accounts of reading scenes, selections, and audience reactions offer a vivid profile for understanding how nineteenth-century English literature was circulated, and provide a reference for studying the oral rhythm and dramatic quality of Dickens's works. It should be read as literary historical material and a personal profile, not as a Dickens biography or a complete collection of criticism on his works. Because it is an English public-domain e-text, Chinese readers need English reading ability and should ideally have read Dickens's major novels to appreciate the weight of the reading selections. It is suitable as supplementary material for Dickens studies or Victorian cultural reading.

Who it's for

A good fit for

  • Literary readers interested in Dickens's life and public image
  • Students of nineteenth-century English literary circulation and reading culture
  • Readers who have read Dickens's major novels and want to learn about his reading selections
  • Readers with English reading ability who collect public-domain literary historical materials

Not a good fit for

  • Readers who have not yet read Dickens and want an introductory guide
  • Readers expecting a systematic biography or complete critical commentary
  • General readers with limited English reading ability who need a Chinese translation

Reading tips

  1. Read key passages from one or two of Dickens's representative novels first, then read the related reading accounts in this book to appreciate the difference in vocal performance.
  2. Treat the book as a literary historical profile, note the reading titles mentioned, and use them as a guide to return to the original works for close reading.
  3. Read it alongside background on Victorian public reading culture to understand the significance of reading tours as a mode of literary circulation.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39

FAQ

Is this book a biography of Dickens?
No. This book focuses on Dickens as a public reader, recounting his reading activities and related scenes. It is a personal profile and literary historical material, not a systematic biography covering his life. Readers should not expect a complete life narrative.
Can I read this book without having read Dickens's novels?
You can, but the gain will be limited. The book involves specific reading titles and passages from works; without having read the originals, it is hard to appreciate the weight of the selections and performances. It is advisable to read at least one or two of Dickens's representative novels before starting this book.
What use is this book for studying Dickens?
It provides on-site accounts of Dickens performing his works aloud, which helps in understanding the oral rhythm and dramatic quality of his works and the nineteenth-century mode of literary circulation. It is suitable as supplementary material for Dickens studies or Victorian cultural reading, not as core critical literature.

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About the author

Kent, Charles, 1823-1902 Author · English · 1823–1902

Charles Kent (1823–1902) was an English poet and journalist, a man of letters of the Victorian era who was acquainted with Charles Dickens. Public information about his life is limited; his reputation rests chiefly on his literary connections and critical writing rather than on an extensive body of creative work. The one title held in this collection, Charles Dickens as a Reader, reflects his characteristic focus: examining Dickens's public readings from the perspective of a firsthand observer, while also touching on the reading tastes and the fashion for public speaking among Victorian literary circles. Writing of this kind usually begins from particular occasions and personal observation, in a plain, reportorial tone, and has value both as literary source material and as a record of its period. For researchers today, Kent's work can serve as supporting evidence for understanding Dickens's public image and the cultural atmosphere of his time, and it also points to the multiple facets of the nineteenth-century English journalist-poet.

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