Captain Fracasse
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers who enjoy nineteenth-century French literature and romantic narrative
- Readers interested in wandering theater troupes and traveling performers
- Those willing to read slowly and savor scene description and ensemble characters
- Literature lovers who want to understand the origins of the cloak-and-sword adventure tradition
Not a good fit for
- Readers of modern genre fiction seeking strong suspense and fast-paced plotting
- Readers impatient with the elaboration and coincidences of classical long novels
- Those seeking strict historical scholarship or social research material
Reading tips
- Get a rough sense of the character relationships before entering the travel chapters, so the ensemble does not scatter your attention.
- Read the troupe's performances and the characters' encounters as stage scenes, noting the theatrical feel of dialogue and action.
- With coincidences and exaggerated episodes, do not demand realist standards; focus on the romantic atmosphere.
- Read in installments, concentrating on one scene or one stretch of the journey at a time to keep the pace.
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- 39
- 40
- 41
- 42
- 43
- 44
- 45
- 46
- 47
- 48
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- 56
- 57
- 58
- 59
- 60
- 61
- 62
- 63
- 64
- 65
- 66
- 67
- 68
- 69
- 70
- 71
- 72
- 73
- 74
- 75
- 76
- 77
- 78
- 79
- 80
- 81
- 82
- 83
- 84
- 85
- 86
- 87
- 88
- 89
- 90
- 91
FAQ
Is this book suitable for readers new to French classical literature?
What are the main highlights of the story?
Do I need to know French theatrical tradition to read it?
Comments
Find this book
This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.
About the author
Théophile Gautier (1811–1872) was a French poet, novelist and critic, with 24 works held in this collection. His verse collection Émaux et camées (Enamels and Cameos) is known for its finely wrought language and pursuit of formal beauty, and is regarded as a practice of the doctrine of art for art's sake; the two volumes of Poésies Complètes gather his poetry. In fiction, Mademoiselle de Maupin and One of Cleopatra's Nights and Other Fantastic Romances display his romantic and fantastical narrative interests. Gautier's style attends closely to color, line and sensory experience, and influenced later aesthetic literature. Public information is limited, so biographical details are not elaborated here.