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Bird Neighbors

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Summary

Published in 1897, Bird Neighbors is the first major work by the American nature writer Neltje Blanchan (born Nellie De Graff Doubleday, 1865–1918) and her most widely circulated book. Its subtitle is "An Introductory Acquaintance with One Hundred and Fifty Birds Commonly Found in the Gardens, Meadows, and Woods About Our Homes," and it is aimed at ordinary observers rather than professional scholars: it does not require readers to first master Latin names and taxonomic systems—only to hold up binoculars or stand by a window, willing to take a closer look at the singing neighbors around them. The book first briefly describes the characteristics and representative species of each bird family, then lists nineteen common observation "habitats" (for example, birds near woodland edges, birds near salt water), then groups the birds by season, size, and color, introducing one by one the plumage, songs, nesting habits, diet, and migration patterns of one hundred fifty common North American birds. The main text is preceded and followed by a foreword by the naturalist John Burroughs, who praised the book as "reliable" and "written in a lively style by a genuine bird lover." The book contains numerous illustrations, of which fifty-two color plates, limited by the photographic conditions of the time, were made by photographing bird specimens against suitable backgrounds. After publication, The New York Times praised its color printing and said it was "intelligible to all readers," and the following year included it in its list of "one hundred fifty summer books." Cumulative sales exceeded 250,000 copies, making Blanchan one of the best-selling women nature writers of her time. Read today, it is both an early specimen of the North American birdwatching guide and a work of American nature writing with a poetic personal touch.

Editor's review

在观鸟指南早已“图鉴化”“数据化”的今天,回头读1897年的《Bird Neighbors》,最动人的不是它记录了多少物种,而是它把“认识邻居”当作一种生活态度。布兰昌不摆学者架子:她把鸟按颜色、体型、季节和出没地点分组,让在花园里瞥见一抹蓝、在篱边听见一串鸣声的普通人,也有办法翻到属于自己的那一页。她的文字带着真切的欢喜,写黑鹂在溪畔湿草地上的叫声“清亮得像液体”,这种句子在当代图鉴里几乎绝迹。 这本书的出版史本身也颇有意味:五十二幅彩色图版是拍摄标本制成的,因为当时的相机拍不清活鸟;深色鸟的印刷效果常被调侃成“泡过鞋油”。可正是这种笨拙的努力,让它在当年售出二十五万余册,被《纽约时报》列入夏季读物书单。它提醒我们,博物学的起点从来不是精确,而是好奇。 对于中文读者,这本书更适合当作自然文学来读,而不是带到野外的实用手册——它写的是一百多年前的北美鸟类与北美乡野,物种与地名都与中国读者有距离。但那种“窗前即旷野”的目光是可以直接搬过来的:读完它,再去看自家阳台外的麻雀与白头鹎,你会发现自己多了一种慢下来的能力。

Who it's for

A good fit for

  • 喜欢自然文学、博物学随笔,而非纯工具书的读者
  • 对欧美自然写作传统(如巴勒斯、梭罗一脉)感兴趣的读者
  • 想培养孩子观察身边动植物习惯的家长与教师
  • 希望从经典英文公版书中做语言学习的读者

Not a good fit for

  • 需要在中国境内实际鉴定鸟类的观鸟者,本书物种与地域不符
  • 期望获得当代分类学、生态学最新数据的专业读者
  • 只想看精美活鸟摄影图鉴的读者,原书插图多为标本照

Reading tips

  1. 把它当随笔读:每次翻两三篇,配合窗外的鸟声,比通读更合适。
  2. 阅读时对照当代北美鸟类图鉴或观鸟 App,可补足旧分类与旧名称的差异。
  3. 可先读巴勒斯的序与“栖息地”一章,理解作者组织全书的方法,再看具体鸟种。
  4. 中文读者若为英语学习而读,建议选公版电子版,边读边记下描述羽毛与鸣声的形容词。

Contents

  1. Foreword: The Nature Library (John Burroughs)
  2. Introduction
  3. I. Bird Families: Characteristics and Representatives of the Families Included
  4. II. Habitats of Birds
  5. III. Seasons of Birds
  6. IV. Birds Grouped by Size
  7. V. Descriptions of Birds Grouped by Color
  8. Conspicuous Black Birds
  9. Conspicuous Black-and-White Birds
  10. Dusky, Gray, and Slate-Colored Birds
  11. Blue and Bluish Birds
  12. Brown, Olive, or Grayish-Brown, and Brownish-Gray Finch-like Birds
  13. Green, Grayish-Green, Olive, and Yellowish-Olive Birds
  14. Conspicuous Yellow and Orange Birds
  15. Conspicuous Red Birds (All Shades)
  16. Index

FAQ

《Bird Neighbors》有正式的中文译本吗?
目前没有检索到该书在中国大陆出版的正式中文译本,坊间所见多为英文原版影印本或公版电子书。中文网络上偶见“鸟邻居”这类译名,属于介绍性翻译,并非正式出版物,因此本条目按英文原书信息著录,译者一项留空。
这本书是小说吗?目录里写“英文名著”是不是弄错了?
不是小说。《Bird Neighbors》是1897年出版的鸟类博物学读物,属于非虚构的自然写作。之所以被收进各类“英文名著大合集”,是因为它已进入公有领域、文本可自由获取,常被汇编类电子书一并收录,但它的体裁是科普与自然文学。
书里讲的是哪里的鸟?中国读者能用吗?
讲的是北美东部常见鸟类,如红翅黑鹂、北美红雀、木鸫等,共约一百五十种。它不能用于中国野外鉴定,但作为自然文学的写作范本、了解早期观鸟指南如何组织内容,仍有阅读价值。
为什么书中的彩色插图看起来像标本照片?
1897年的摄影技术难以清晰拍摄活体鸟类,出版社便用鸟类标本在布置好的背景前拍照,再制成彩色图版。受到当时彩色印刷水平的限制,一些深色鸟类的呈现效果偏暗,曾被评论者形容为“像浸过鞋油”。
这本书的影响和销量如何?
据资料记载,出版后《纽约时报》称赞其彩色图版且“所有读者都能读懂”,次年将其列入夏季读物书单;全书销量超过二十五万册,使作者布兰昌成为当时最畅销的女性自然作家之一。1999年该书由古腾堡计划重新电子化出版。

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