Biographia Literaria cover

Biographia Literaria

Rating 4.3
Word count
814K words
Chapters
82

Tags

Summary

Project Gutenberg was the first provider of free electronic books, or eBooks. Michael Hart, founder of Project Gutenberg, invented eBooks in 1971 and his memory continues to inspire the creation of eBooks and related technologies today.Biographia Literaria by Samuel Taylor ColeridgeAuthor: Coleridge, Samuel Taylor, 1772-1834,Language: English, Class: PR: Language and Literatures: English literature, Release Date: Jul 1, 2004

Editor's review

Biographia Literaria is Coleridge's retrospective account of his thought and writing life and a key document of English Romantic criticism. It unfolds as autobiography yet goes beyond biography: its distinction between imagination and fancy, its discussion of poetic language and meter, and its critique of Wordsworth's poetry have all deeply influenced later literary criticism. The prose is highly speculative, with paragraphs frequently digressing, blending philosophical reflection with personal feeling. This edition is the English original from Project Gutenberg, suitable as a primary text for Romantic poetics and critical theory, and for readers studying the development of Coleridge's thought. Do not feel obliged to read it straight through: begin with the chapters on imagination and fancy, then return to the autobiographical thread to appreciate the layers of his critical system.

Who it's for

A good fit for

  • University students of English Romantic literature and critical theory
  • Researchers interested in poetics, imagination theory, and the history of criticism
  • Literature lovers who want to read Coleridge's own account of his thought
  • English majors needing primary English texts for essays

Not a good fit for

  • General readers expecting an easy biography or linear life narrative
  • Readers with limited stamina for English who prefer short popular texts
  • Those uninterested in abstract philosophical speculation and critical terminology

Reading tips

  1. Read the discussion of imagination and fancy around Chapter XIII first to grasp the book's core concepts, then revisit the autobiographical sections.
  2. Mark Coleridge's evaluations of Wordsworth as you read and compare them with Wordsworth's poems to understand his critical intent.
  3. You need not proceed chapter by chapter in order; select by theme, then use an introduction or scholarly work to map the book's structure.
  4. After each chapter, summarize the argument in a few sentences to avoid losing the main thread in the digressions.

About the publisher

Project Gutenberg United States · Founded in 1971

Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.

Contents

  1. 1
  2. 2
  3. 3
  4. 4
  5. 5
  6. 6
  7. 7
  8. 8
  9. 9
  10. 10
  11. 11
  12. 12
  13. 13
  14. 14
  15. 15
  16. 16
  17. 17
  18. 18
  19. 19
  20. 20
  21. 21
  22. 22
  23. 23
  24. 24
  25. 25
  26. 26
  27. 27
  28. 28
  29. 29
  30. 30
  31. 31
  32. 32
  33. 33
  34. 34
  35. 35
  36. 36
  37. 37
  38. 38
  39. 39
  40. 40
  41. 41
  42. 42
  43. 43
  44. 44
  45. 45
  46. 46
  47. 47
  48. 48
  49. 49
  50. 50
  51. 51
  52. 52
  53. 53
  54. 54
  55. 55
  56. 56
  57. 57
  58. 58
  59. 59
  60. 60
  61. 61
  62. 62
  63. 63
  64. 64
  65. 65
  66. 66
  67. 67
  68. 68
  69. 69
  70. 70
  71. 71
  72. 72
  73. 73
  74. 74
  75. 75
  76. 76
  77. 77
  78. 78
  79. 79
  80. 80
  81. 81
  82. 82

FAQ

Is this an autobiography by Coleridge?
It has autobiographical elements but is not a strictly chronological life record. Coleridge reviews the formation of his thought, his views on poetry, and his critical positions while inserting extensive philosophical and aesthetic discussion, so it is closer to a hybrid of intellectual self-account and critical work.
What background should I have before reading?
Familiarity with the basic outlines of the English Romantic movement, the collaboration and disagreements between Wordsworth and Coleridge, and the transmission of late eighteenth-century German philosophy in Britain will help with the discussion of imagination, fancy, and poetic language. It can be read without this background, but requires more patience.
Does the Gutenberg edition include notes or an introduction?
Project Gutenberg provides public-domain electronic texts; according to the listing, this book contains the English text and was released in 2004. Such editions usually lack modern scholarly annotations or introductions, so readers should consult reliable studies or an annotated edition.
Is the distinction between imagination and fancy important?
It is one of the most frequently cited arguments in the book. Coleridge treats imagination as a living, synthesizing creative power, while fancy is more mechanical combination. This distinction shaped later understanding of Romantic poetics and is a key point to grasp when reading the book.

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About the author

Samuel Taylor Coleridge (1772–1834) was a major English poet and critic of the Romantic movement. The library holds 21 of his works, including complete poetical collections, a single long narrative poem, selected poems, and prose criticism. His best-known work, The Rime of the Ancient Mariner, is distinguished by its strange sea narrative, supernatural imagery, musical language, and rich imagination. Biographia Literaria sets out his critical ideas on imagination, fancy, and poetic language, exerting a lasting influence on later literary theory. His poetry often blends philosophical reflection, religious feeling, and natural description, combining the simplicity of ballad form with meditative speculation. Public information is limited, so this note relies mainly on the library's holdings to describe his subjects, style, and literary influence without inventing biographical details.

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