Arnold Böcklin
Tags
Summary
Editor's review
Who it's for
A good fit for
- Specialist readers studying nineteenth-century European art and Symbolism
- Art lovers interested in Böcklin's life and work
- Art history students and researchers with German reading ability
- Readers interested in the tradition of German-language art criticism
Not a good fit for
- General readers with no German who do not wish to use a translation
- Those expecting a lavish plate section or art-book reading experience
- Light readers seeking a quick overview of Böcklin's life and anecdotes
Reading tips
- Before reading, browse a catalogue of Böcklin's major works to build visual familiarity, then turn to the commentary
- Read chapter by chapter, noting how the author links analysis of specific works to the historical context
- German sentences are often long; after each chapter, summarize the main points in your own words
- Read alongside other studies of Symbolism to compare different scholarly assessments
About the publisher
Project Gutenberg is a digital publishing project focused on public-domain ebooks. Its publishing direction centers on classic literary works whose copyright has expired, covering genres such as poetry, drama, fiction, and epic. Representative books include Lyrical Ballads by Wordsworth and Coleridge, Proust's Du côté de chez Swann, Shakespeare's Macbeth and The Complete Works of William Shakespeare, Homer's The Iliad, Dante's La Divina Comèdia: Purgatòri, Cervantes's The History of Don Quixote, Volume 2, and Grahame's The Wind in the Willows. Its author resources consist mainly of classic Western writers such as Wordsworth, Proust, Shakespeare, Homer, Dante, Cervantes, Grahame, and Tolstoy. Its publishing feature is the provision of freely accessible ebooks in EPUB and Kindle formats; it is not a traditional publisher, and publicly available information is limited.
Contents
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FAQ
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About the author
Heinrich Alfred Schmid (1863–1951) was a Swiss art historian. He taught for many years at the University of Basel, where he held a professorship, and his scholarship is known above all for its work on the paintings of Holbein. Among the works recorded in our catalogue is a single title, Arnold Böcklin, indicating that he also wrote specifically on the contemporary Swiss painter Arnold Böcklin. Public information about his life is limited; on the evidence available, his writing rests on solid visual and documentary research and addresses both specialists and general readers, giving it a place in German-language art history.