Ghost Husband
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Summary
Editor's review
Who it's for
A good fit for
- 喜欢民国背景、古典氛围爱情故事的读者
- 看过1993年电视剧《鬼丈夫》想回读原著的观众
- 正在系统收集“琼瑶作品大合集”的读者
- 对“人鬼恋”母题与性别书写感兴趣的研究者
- 想了解上世纪九十年代华语通俗言情风貌的读者
Not a good fit for
- 偏爱快节奏、强情节推进类型小说的读者
- 对言情题材及其情感表达方式不感兴趣的读者
- 希望读到大量武侠或历史考据内容的读者
- 习惯在阅读中寻找严密逻辑推演与悬疑解答的读者
Reading tips
- 先读正文,再回头对照“梅花三弄”中《梅花烙》《水云间》两部,体会作者在同一时期对爱情与命运的不同处理。
- 注意“面具”“白狐”“梅花胎记”等反复出现的意象,它们承担了缘定三生这一宿命线索。
- 读完可回看1993年电视剧版本,比较小说与剧本在紫烟、老柯等支线上的增删差别。
- 若时间有限,可先读大火之后的部分,那是全书情感张力最集中、也最能体现“鬼丈夫”题意之处。
About the publisher
Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.
FAQ
《鬼丈夫》和电视剧《梅花三弄》是什么关系?
这本小说最初的来源是什么?
作家出版社2024年版有什么特别?
没有读过《梅花烙》能直接读这本吗?
书中有没有收录作者后记或创作谈?
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About the author
Qiong Yao is known for her romance novels, and because public information about her full name and early life is limited, no speculation is made here. The library holds twenty-three of her works, including The Dodder Flower, Misty Rain, A Red Bean, Where the Seagulls Fly, Several Sunsets, Cold Smoke Green, and My Fair Princess (Part Two). These works are often classified as premium fiction, romance fiction, women's fiction, and girls' fiction; several have also been treated as film and television originals after adaptation, giving them a dual presence in literary reading and popular media. Her writing tends to center on love, family ties, and the entanglements of fate, with delicate prose, dramatic plots, and a lyrical language that builds intense emotional atmospheres. Her stories have circulated widely among Chinese-language readers, and their influence expanded further through screen adaptations, making them a highly recognizable strand of popular Chinese-language emotional storytelling.