Selected Poems of Shuang Ning cover

Selected Poems of Shuang Ning

Rating 3.4
Word count
34K words
Chapters
11
ISBN
9787521214390

Tags

Summary

Poetry, calligraphy, and painting have always been the author's most faithful companions in leisure hours. The author excels at classical-style poetry but has also written modern verse. This collection gathers nearly two hundred of the author's poems, with the classical-style pieces divided into five-character quatrains, seven-character quatrains, five-character regulated verse, seven-character regulated verse, ci, and gufeng. The works mostly reflect the author's life insights, travel reflections, and amusing everyday moments. In the afterword, the author writes: "Today, at last, we too can live a poetic life of our own... Art is my first necessity." The author's wisdom, humor, optimism, and open-mindedness flow through the lines, allowing readers to savor the classical charm while catching glimpses of the clarity and contemplation born of a life richly lived.

Editor's review

Selected Poems of Shuang Ning brings a classical poetic sensibility into contemporary daily life. Shuang Ning writes mainly in classical forms, with some modern verse as well. Nearly two hundred poems are arranged across five-character quatrains, seven-character quatrains, five-character regulated verse, seven-character regulated verse, ci, and gufeng—a full range of forms that reveals the author's ease with and awareness of prosody. The subjects avoid grand narrative, settling instead on life insights, travel reflections, and everyday amusements. Wisdom, humor, optimism, and open-mindedness shine through the lines, and the afterword's line "Art is my first necessity" captures the book's spiritual core. Its value lies in letting readers, while savoring classical charm, catch the clarity and contemplation that come from lived experience—rather than stopping at mere diction. It suits slow reading on quiet evenings or during travel breaks, three to five poems at a time, following the forms in order; readers can appreciate the sonic beauty of classical verse and also see another side in the modern poems. For readers who wish to reconnect with classical poetry while encountering a contemporary person's genuine inner life, this is an inviting, endlessly re-readable anthology.

Who it's for

A good fit for

  • Readers who love classical-style poetry and want to experience prosodic beauty in contemporary work
  • Busy urban readers who hope to settle their minds with short poems in fragmented time
  • Middle-aged readers who resonate with themes of life insight and travel experience
  • Aspiring poets who want to observe multiple forms as writing models

Not a good fit for

  • Academic readers seeking systematic poetic theory or prosody instruction
  • Readers who prefer strong plot, long narrative, or novelistic reading experiences
  • Readers unfamiliar with classical forms who are unwilling to slow their pace

Reading tips

  1. Read the afterword first to understand the author's creative mindset, then proceed slowly through quatrains, regulated verse, and ci in order.
  2. Read three to five poems a day; jot down impressions wherever something resonates—there is no need to finish the book in one sitting.
  3. When reading gufeng and ci, try reading aloud to feel the rhythm and emotional rise and fall.
  4. Compare the classical and modern sections to observe how the same author's expression shifts across forms.

About the publisher

Writers Publishing House China · Founded in 1953

Writers Publishing House is a Chinese publisher focused mainly on literary publishing. Its output covers classical literature, foreign literature, folk literature and Eastern philosophy, with some extension into popular reading such as social fiction and parenting books. Its catalogue contains more than 900 titles, including representative works such as Dream of the Red Chamber and its edited editions, Shakespeare's Macbeth and A Midsummer Night's Dream, and foreign literary classics such as The Brothers Karamazov and Lost Illusions. In terms of authors, it includes classical writers such as Cao Xueqin and Gao E, foreign masters such as William Shakespeare, Dostoevsky and Balzac, and translations by translators such as Zhu Shenghao, Geng Jizhi and Fu Lei. Overall, its publishing profile balances Chinese and foreign literary classics, emphasizes quality translations, and serves both academic and general readers; publicly available information on its specific publishing plans is limited.

Contents

  1. 版权信息
  2. 第一部分 七绝
  3. 第二部分 七律
  4. 第三部分 五绝
  5. 第四部分 五律
  6. 第五部分 词
  7. 第六部分 古风
  8. 第七部分 现代诗
  9. 附录一 二十世纪六十—八十年代四首代表作
  10. 附录二 关于写诗的几篇随笔
  11. 后记

FAQ

Will readers with no background in classical poetry find this book difficult?
No. The works mostly concern life insights and everyday amusements; the language is not abstruse, and the subjects are close to daily life. Even without familiarity with prosody, you can read them as short poems—first feeling the mood and imagery, then gradually appreciating the beauty of form.
What categories are the classical-style poems divided into?
According to the materials, the classical-style poems fall into five-character quatrains, seven-character quatrains, five-character regulated verse, seven-character regulated verse, ci, and gufeng; the author has also written modern verse. Readers can read by genre in blocks, making it easier to compare expressive effects across forms.
Is this book suited to reading straight through or slowly?
It is better read slowly. The poems are mostly short pieces on independent subjects; three to five at a time is enough. Slowing down and chewing over them makes it easier to appreciate the humor and open-mindedness between the lines than reading in one concentrated stretch.

Comments

Find this book

This site is an index: you start “Search all sources” in your browser, and the entries it lists all point to third-party sites; please judge their availability yourself.

About the author

霜凝 Author

Shuangning is an author about whom little public information is available; the library currently holds only one work by this name, Selected Poems and Ci of Shuangning. This representative title suggests that Shuangning chiefly writes classical-style poetry, and the fact that the collection is titled a selection of poems and ci indicates practice in both traditional poetic forms. As for the author's life, place of origin, nationality, and dates of birth and death, no clear records are available, so no reliable account of education, profession, or writing career can be given here, and no speculation is offered. What can be confirmed is that Selected Poems and Ci of Shuangning is classified under literary appreciation, which suggests that its texts may serve both for reading pleasure and as material for critical appreciation, and that the book may appeal to readers interested in traditional poetry. Overall, Shuangning's creative profile is currently represented by this single selection, and a fuller account of thematic interests and artistic style would require more material; readers may explore the language and sensibility of the work through the book itself.