Falcon cover

Falcon

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Chapters
1
Series
Wenjing · Presence
ISBN
9787208193932

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Summary

The falcon is the fastest animal alive. It commands attention not only because its speed, power, beauty, and ferocity have fascinated people for millennia, but because of the radiance it has brought to human culture. This book, the breakout work of British writer and naturalist Helen Macdonald, combines the history of science with cultural history to explore, in a new and exhilarating way, the practical and symbolic significance of the falcon in human culture. The book begins with the falcon's natural history, covering its anatomy, physiology, hunting strategies, and flight mechanics; it then turns to the falcon's image in myth, religion, and heraldry, tracing how the ancient sport of falconry spread from courts and grasslands into the modern world and how the bird has been repeatedly enlisted in medieval manuscripts, diplomatic intrigue, secret military plans, and popular culture. It also covers the conservation history of endangered falcons and the plight of urban falcons: humans have always watched nature through "cultural spectacles," projecting themselves onto animals, yet falcons were not invented to bear symbols—they live, breed, fly, hunt, and breathe. First published in 2006, the book appeared in an expanded new edition in 2016; this Chinese edition is translated from the new edition and includes the author's new introduction and more than one hundred images. The project grew out of the author's research at the falconry archives of the World Center for Birds of Prey in Idaho while pursuing a PhD in the history of science at Cambridge: the anecdotes and stories that would not fit into a dissertation finally found a home in this book. In the same vein as her later celebrated work H Is for Hawk, this book is ultimately about how humans use nature as a mirror, how we face animals, and how we face ourselves.

Editor's review

提起海伦·麦克唐纳,多数读者先想到《以鹰之名》。其实《隼》才是她的初心之作:为完成关于科学史的博士论文,她在爱达荷州世界猛禽中心的档案里埋头数月,从海豹皮大衣到赫尔曼·戈林收藏过的苍鹰标本,见过的材料太多太杂,塞不进论文,于是有了这本给所有人读的书。 它的好,在于不把“隼”写成一张被供起来的标本。作者一面讲解剖、生理、飞行力学,一面讲驯隼术、神话、战旗、赛鸽纠纷和城市高层窗台上的巢。她提醒我们:人类一直戴着“文化眼镜”看动物,把权力、高贵、野性、自由一股脑儿挂在隼身上;而隼本身并不为承载这些意义而生。于是这本书既是动物文化史,也是一次视角的反转。 本中文版据增补新版译出,收入作者新版导言与一百余幅图片,译文出自长期从事生物学与翻译工作的万迎朗、王萍。想读懂“人与动物如何在相互注视中认识自己”的读者,可由此入门,再回到《以鹰之名》。

Who it's for

A good fit for

  • 喜欢《以鹰之名》《在黄昏起飞》,想读海伦·麦克唐纳早期作品的读者
  • 对鸟类、猛禽、博物学与动物行为感兴趣的科普读者
  • 对动物文化史、图像史、人与自然关系有研究兴趣的人文学者
  • 从事自然写作、科普写作,想学习如何编织史料与叙事的写作者

Not a good fit for

  • 期望获得完整隼类图鉴、辨识手册或物种检索表的读者
  • 只想读野外观察笔记与个人情感叙事的自然文学爱好者
  • 希望阅读系统驯鹰操作教程的养隼入门者

Reading tips

  1. 可先读新版导言与前言,了解作者的写作缘起及与《以鹰之名》的关系,再进入正文。
  2. 各章可独立阅读;若时间有限,可先读“神话般的隼”与“城市隼”,体味文化史与现实处境的张力。
  3. 随手翻阅书中图片与图注,作者对图像的解读往往比文字更直白地呈现“文化眼镜”的机制。
  4. 读完不妨回到大事年表与注释,顺着参考文献挑一两本延伸读物,形成自己的猛禽阅读线。

About the publisher

Shanghai People's Publishing House China · Founded in 1951

Shanghai People's Publishing House is a comprehensive publisher whose list focuses on academic monographs and general-interest titles in philosophy, social sciences, politics and law, economics and management, and history. Among its books are Wei, Jin, Southern and Northern Dynasties History in the Chinese Dynastic History series; The Hobbit and The Lord of the Rings trilogy in foreign literature; the Wenjing Classical Translation Illustrated Edition of The Complete Greek Tragedies of Euripides; and works of social theory such as Max Weber's Economy and Society and Dialectic of Enlightenment: Philosophical Fragments. Its authors include Wang Zhongluo, J.R.R. Tolkien, Luo Niansheng, and Zhou Zuoren.

Contents

  1. Wenjing · Presence

FAQ

这本书和《以鹰之名》是什么关系?
两书相互独立,不必按顺序阅读。《隼》是麦克唐纳更早的动物文化史著作,源于她的科学史博士研究;《以鹰之名》是后来追忆训练苍鹰梅宝与父亲去世的回忆录。读过《以鹰之名》再看本书,会遇到一些熟悉的人物与故事,但叙述更偏历史与学理。
这本2025年中文版与早年的三联版有何不同?
三联书店曾于2010年出版本书中译本,属“动物系列”;2016年英文版增补了作者新版导言。上海人民出版社2025年版据增补后的新版译出,收入新版导言,并配有一百余幅图片,正文框架仍为自然历史、神话、驯隼、濒危、战隼、城市隼六章。
读这本书需要鸟类学基础吗?
不需要。作者写作时面向的是普通读者,解剖与生理部分讲得清楚易懂;涉及的科学史、文化史概念也都有上下文交代。有兴趣的读者可借注释与参考文献继续深入。
本书是否介绍如何饲养或训练隼?
书中“驯隼”一章讲的是驯鹰术的历史与文化,包括其在宫廷、草原和现代社会的演变,并非操作手册。想学实际驯养技术,需要查阅专门的驯鹰与饲养法规资料。

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About the author

Public information about Helen Macdonald is limited. Judging from the four works held in the collection, her writing centers on essays, literary nonfiction, and social and cultural themes, with representative titles including Vesper Flights, the trilogy of nature writing on birds, H Is for Hawk, and Falcon. These works mostly revolve around birds and the natural world, blending close observation with a personal narrative voice to form a distinctive style at the intersection of nature writing and memoir. The hawks, falcons, and other birds in her writing are both objects of observation and entry points for reflecting on the relationship between humans and nature, as well as on grief and memory. Her prose combines the precision of natural history with literary introspection, and has thus drawn the attention of readers of nature writing. Because biographical information remains incomplete, this note offers only a brief outline of her subjects and approach.