The Curse of the Lost City cover

The Curse of the Lost City

Rating 3.2
Word count
141K words
Chapters
48
ISBN
9787530688298

Tags

Summary

This is a new historical novel by the renowned author Deng Xiaojiong. The story is set in the nineteenth year of the Daoguang reign of the Qing dynasty, when Macau appears peaceful but in fact stands at a subtle and crucial historical turning point: the embers of the destruction of opium at Humen have not yet died out, the guns of the Sino-British conflict have not yet fired, and on the eve of the outbreak of the Opium War, Imperial Commissioner Lin Zexu is about to inspect Macau while an assassination plot is being hatched: the imperial commissioner, the Portuguese administrator of Macau, the British superintendent of trade, and a brother and sister native to Macau—their fates become entangled in an inextricable knot, and a turbulent, chaotic era and an arduous journey of exploration thus slowly begin.

Editor's review

*Curse of the Lost City* is set in a narrow historical crevice: the nineteenth year of Daoguang's reign, on the eve of the Opium War. The embers of the destruction of opium at Humen have not yet cooled, the guns of the Anglo-Chinese conflict have not yet fired, Lin Zexu is about to tour Macao, and an assassination plot is unfolding in the shadows. The choice of this moment carries inherent tension—all characters stand before an ending not yet revealed. The imperial commissioner, the Portuguese procurator, the British superintendent of trade, and a brother and sister born and raised in Macao: several threads of fate are twisted into one knot, personal choices and the tide of the era entangled with each other. As a historical novel, its appeal lies in the phrase "journey of exploration": not a simple contest of good versus evil, but a process in which all sides seek a way out amid chaotic times. It suits readers interested in late Qing history and Macao's local history, as well as those who enjoy fiction built on historical events as a skeleton and character fates as flesh and blood. Readers may wish to pay attention to the brother-and-sister thread, which often serves to draw grand history back to a personal perspective.

Who it's for

A good fit for

  • Readers interested in late Qing history and the eve of the Opium War
  • Readers who enjoy novels set against real historical turning points
  • Readers interested in Macao's history and themes of East-West encounter
  • Readers who prefer multi-threaded narratives of intertwined fates

Not a good fit for

  • Readers hoping for dense battle scenes or action-heavy conflict
  • Readers unfamiliar with the historical background who are unwilling to learn as they read
  • Readers who prefer light romance or purely fictional, invented worlds

Reading tips

  1. Before reading, a brief acquaintance with the timeline of the Humen opium destruction and the Opium War will help you enter the novel's tense atmosphere more quickly.
  2. Note how the threads of the imperial commissioner, the Portuguese procurator, the British superintendent of trade, and the Macao brother and sister alternate and advance, and clarify each side's position.
  3. Don't stop to look up historical terms—read on with the plot, and return to sort out the historical background afterward.
  4. Focus on the Macao brother and sister's perspective, which often grounds grand historical turns in ordinary people's circumstances.

About the publisher

Founded in August 1958 and restructured into Baihua Literature and Art Publishing House (Tianjin) Co., Ltd. in 2009, Baihua Literature and Art Publishing House is known for publishing essays and fiction, and it hosts the journals Fiction Monthly and Essays. Its 757 titles in the library span classic works, culture, folk literature, essays and miscellaneous writings, foreign literature, and general biography. They include Lao She's Camel Xiangzi, Zhu Ziqing's selected essays and Classic Essays, Fu Lei's Twenty Lectures on Masterpieces of World Art, and a Chinese translation of Ryūnosuke Akutagawa's Rashōmon, as well as cultural and performing-arts titles such as the illustrated Biography of Liang Qichao and A Dictionary of Crosstalk. Its authors include Lao She, Zhu Ziqing, Wu Qichang, Fu Lei, Xue Baokun, Gao Yucong, Wei Zhiqiang, and Ryūnosuke Akutagawa.

Contents

  1. 版权信息
  2. 澳门之恋
  3. 楔子
  4. 一
  5. 二
  6. 三
  7. 四
  8. 五
  9. 六
  10. 七
  11. 八
  12. 九
  13. 十
  14. 十一
  15. 十二
  16. 十三
  17. 十四
  18. 十五
  19. 十六
  20. 十七
  21. 十八
  22. 十九
  23. 二十
  24. 二十一
  25. 二十二
  26. 二十三
  27. 二十四
  28. 二十五
  29. 二十六
  30. 二十七
  31. 二十八
  32. 二十九
  33. 三十
  34. 三十一
  35. 三十二
  36. 三十三
  37. 三十四
  38. 三十五
  39. 三十六
  40. 三十七
  41. 三十八
  42. 三十九
  43. 四十
  44. 尾声
  45. 主要历史人物
  46. 相关历史人物
  47. 澳门议事会
  48. 后记

FAQ

At what historical moment is the story set?
The story is set in the nineteenth year of Daoguang's reign, when the embers of the Humen opium destruction have not yet faded and the guns of the Anglo-Chinese conflict have not yet fired—on the eve of the Opium War. Imperial Commissioner Lin Zexu is about to tour Macao, while an assassination plot is being hatched in secret. From this the novel unfolds the tangled fates of multiple characters.
Can I understand it without a background in late Qing history?
Yes. The novel's narrative spine is character fate and the assassination plot, with historical background presented mainly through the plot's progression. Readers need only know the basic premise—that the Opium War has not yet broken out and Lin Zexu is about to tour Macao—to follow the story. For a deeper understanding of each side's position, supplementary historical reading afterward is helpful.
Who are the main characters?
According to the source material, the characters include the imperial commissioner, the Portuguese procurator, the British superintendent of trade, and a brother and sister born and raised in Macao. Their fates are tangled into an inextricable knot, together forming a journey of exploration through a turbulent and chaotic era.

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About the author

邓晓炯 Author

Deng Xiaojiong is an author about whom limited public information is available. The only work currently confirmed in our records is The Curse of the Lost City (Michéng zhī Zhòu). As this work is classified under "Otherworldly Continent," its subject matter tends toward imaginary worlds and fantasy adventure, typically involving the setting of an unfamiliar continent, characters' exploration and encounters in a strange land, and the conflicts and growth that unfold from them. Because the author's nationality, dates of birth and death, educational background, and writing career are not clearly documented, it is difficult to trace his life or creative development further, and no inferences should be made about sales or reader reception. Based on the available information, the most direct way for readers to understand Deng Xiaojiong's writing is to read The Curse of the Lost City and to sense his stylistic orientation through its narrative approach, world-building, and character portrayal.