Rhapsody on Calligraphy
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Summary
This series, "Essence of Classic Chinese Culture: Original Texts," preserves the appearance of the original books and focuses on preserving and transmitting traditional Chinese thought and culture. By reading the literary essence left by ancient sages, readers cultivate their temperament and subtly come to appreciate the classics of Chinese learning.
Editor's review
Who it's for
A good fit for
- Learners of calligraphic history and calligraphic theory who need to study the primary text
- Calligraphy enthusiasts with some classical Chinese who want to understand ancient critical vocabulary
- Researchers of Tang literature and art documents concerned with rhapsodic art criticism
- Readers of classic Chinese-learning texts willing to read the primary text slowly with annotations
Not a good fit for
- Readers with no classical Chinese who want a light introduction to calligraphy stories
- Calligraphy beginners expecting technical tutorials or copybook guidance
- Readers who want only plain-language general introductions and are unwilling to look up names and allusions
Reading tips
- Read the preface and editorial principles first to understand the base text and annotation conventions, then proceed to the main text.
- Arrange the calligraphers mentioned in the rhapsody by dynasty and compare them one by one with their short biographies.
- When encountering evaluative lines, distinguish praise from censure, make excerpt cards, and build up calligraphic terminology.
- Read alongside famous calligraphic texts such as Shu Pu to compare ways of discussing calligraphy and standards of evaluation.
Contents
- 版权信息
- 述书赋提要
- 述书赋卷上
- 述书赋卷下
FAQ
What is Shu Shu Fu mainly about?
Can I read it without a calligraphy background?
What reference books should I use with this book?
Can the evaluations in the book be taken as definitive?
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About the author
Dou Ji was an important figure in the field of calligraphy theory in the Tang dynasty. Publicly available sources offer very limited information about his life, and his birth and death years, native place, and official career are difficult to verify. He is known today mainly through the celebrated calligraphic work Shu Shu Fu (Rhapsody on Calligraphy). Written in the rhapsody form, this work surveys calligraphers and calligraphic works of successive dynasties, evaluates stylistic origins and developments, and combines calligraphic appreciation with criticism, making it distinctive among Tang writings on calligraphy. The rhapsody form gives the discussion both literary quality and concision, helping connect the threads of calligraphic history and articulate the author's judgments on the strengths and weaknesses of various masters. Shu Shu Fu was repeatedly cited by later works on calligraphy and remains an important reference for studying the development of calligraphy before the Tang and Tang views on calligraphy. The library currently holds one work by him, classified under social sciences. Because material on the author is scarce, this introduction is confined to a brief account of the content and value of his extant work.