Valley Sounds cover

Valley Sounds

Rating 4.0
Word count
10K words
Chapters
6

Tags

Summary

Guyin (Echoes of the Valley), in two juan, compiled by Du Ben of the Yuan dynasty. The compiler's Qingjiang Bizhang Ji is already recorded. At the end of this edition is a colophon by Zhang Ju, stating that the poems in the right-hand scroll number twenty-three persons, with four whose names are unknown, one hundred poems in all. The Ming dynasty colophon by Mao Jin, however, calls Guyin two juan, poems by recluses of the late Song, twenty-nine persons in all, one hundred poems.

Editor's review

Guyin (Echoes of the Valley), a two-juan anthology of poems by late Song recluses compiled by Du Ben of the Yuan dynasty, now returns to general readers in a new edition of this well-transmitted anthology. It collects poems by more than twenty poets, several of them unnamed, and closes with colophons by Zhang Ju and the Ming scholar Mao Jin; the two accounts differ slightly on the number of juan, persons, and poems, offering a glimpse of the complexities of transcription and printing in ancient texts. The book's distinctive value lies in preserving the voices of poets who chose withdrawal or steadfastness at a time of dynastic change; their themes are largely landscapes, travel, reflections on personal circumstance, and longing for the fallen realm, in a style lean and somber that contrasts sharply with the courtly verse of the day. Du Ben's editorial eye preserved both poets and poems, ensuring that many authors without surviving collections are known through this book alone—a documentary significance not to be overlooked. Reading it conveys the mood of late Song literati and offers a cross-section of the early Yuan poetic scene. Best read in quiet hours, alongside the colophons, to appreciate the compiler's intent.

Who it's for

A good fit for

  • Readers of classical literature interested in late Song and early Yuan poetry and the fate of literati
  • Scholars concerned with the compilation and transmission of ancient anthologies
  • General readers seeking insight into the recluse mentality at a time of dynastic change through an anthology

Not a good fit for

  • Readers who prefer long narrative or plot-driven works
  • Beginners expecting detailed author biographies and full annotations

Reading tips

  1. Read the colophons by Zhang Ju and Mao Jin first to understand the edition and compilation before turning to the poems
  2. Read through by author, noting stylistic similarities and differences between named and unnamed poets
  3. Choose several poems to recite repeatedly, appreciating their emotions against the late Song and early Yuan historical background
  4. After reading, note the discrepancies in numbers of poets and poems recorded in the colophons as a brief textual note

Contents

  1. 版权信息
  2. 谷音
  3. 提要
  4. 卷上
  5. 巻下
  6. 跋

FAQ

How many poets and poems does Guyin contain?
According to Zhang Ju's colophon, one juan contains twenty-three persons plus four unnamed, one hundred poems in all; Mao Jin's Ming colophon states two juan, twenty-nine persons, one hundred poems. The accounts differ slightly in number of persons and juan; readers may compare the colophons themselves, which is precisely what makes the edition's textual information worth noting.
The two colophons disagree; which should be trusted?
The sources show discrepancies between Zhang Ju's and Mao Jin's colophons regarding juan and number of persons, without stating which is authoritative. Readers may read both together, treating the disagreement as a common feature of ancient textual transmission, focusing on understanding each account rather than rushing to judge.
Can I understand these poems without annotations?
The selections are mostly by late Song recluses; the language is not forbiddingly difficult, and the themes are mainly landscapes, travel, and personal reflection, accessible to those with some grounding in classical Chinese. Consult reference works for allusions or obscure passages; there is no need to parse every word—grasp the overall mood and imagery first.

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About the author

杜本 Author

Du Ben: public information about this author is extremely limited, and no clear record has been found regarding nationality, dates of birth and death, or an English name. What can be confirmed is that the library holds one work by this author, Guyin (Valley Sounds), commonly classified as a philosophical reading. Judging only from the title and the classification, its content may relate to philosophical reflection on sound and rhythm, human nature, or reflections on life; however, the specific circumstances of its composition, the period in which it was written, and its intellectual context lack verifiable public materials and should not be over-interpreted. On the available evidence, Du Ben is best regarded as an author known through a single work in bibliographic records, whose writing style and intellectual orientation can only be grasped indirectly through the genre of that work, making a complete portrait difficult to draw. For researchers and general readers alike, the more reliable approach is to read Guyin directly and to appreciate its modes of expression and the questions it addresses from the text itself, rather than relying on biographical details. Public materials are limited; this entry is presented as an accurate record only, and any reliable information that emerges later may be used to supplement notes on the author's life and the work's influence.