Valley Sounds
Tags
Summary
Editor's review
Who it's for
A good fit for
- Readers of classical literature interested in late Song and early Yuan poetry and the fate of literati
- Scholars concerned with the compilation and transmission of ancient anthologies
- General readers seeking insight into the recluse mentality at a time of dynastic change through an anthology
Not a good fit for
- Readers who prefer long narrative or plot-driven works
- Beginners expecting detailed author biographies and full annotations
Reading tips
- Read the colophons by Zhang Ju and Mao Jin first to understand the edition and compilation before turning to the poems
- Read through by author, noting stylistic similarities and differences between named and unnamed poets
- Choose several poems to recite repeatedly, appreciating their emotions against the late Song and early Yuan historical background
- After reading, note the discrepancies in numbers of poets and poems recorded in the colophons as a brief textual note
Contents
- 版权信息
- 谷音
- 提要
- 卷上
- 巻下
- 跋
FAQ
How many poets and poems does Guyin contain?
The two colophons disagree; which should be trusted?
Can I understand these poems without annotations?
Comments
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About the author
Du Ben: public information about this author is extremely limited, and no clear record has been found regarding nationality, dates of birth and death, or an English name. What can be confirmed is that the library holds one work by this author, Guyin (Valley Sounds), commonly classified as a philosophical reading. Judging only from the title and the classification, its content may relate to philosophical reflection on sound and rhythm, human nature, or reflections on life; however, the specific circumstances of its composition, the period in which it was written, and its intellectual context lack verifiable public materials and should not be over-interpreted. On the available evidence, Du Ben is best regarded as an author known through a single work in bibliographic records, whose writing style and intellectual orientation can only be grasped indirectly through the genre of that work, making a complete portrait difficult to draw. For researchers and general readers alike, the more reliable approach is to read Guyin directly and to appreciate its modes of expression and the questions it addresses from the text itself, rather than relying on biographical details. Public materials are limited; this entry is presented as an accurate record only, and any reliable information that emerges later may be used to supplement notes on the author's life and the work's influence.